Suchergebnisse
Suchergebnisse:
Marvin Louis Stamm (born May 23, 1939) [1] is an American jazz trumpeter. Career. Stamm was born in Memphis, Tennessee, United States. [1] . Stamm began on trumpet at age twelve. He attended North Texas State University, [1] where he was a member of the One O'Clock Lab Band.
Marvin Stamm (* 23. Mai 1939 in Memphis, Tennessee) ist ein US-amerikanischer Jazz -Trompeter. Martin Kunzler bewertet ihn als Leadtrompeter, „der zugleich auch mit solistischen Leistungen ersten Ranges aus der kleinen Elite seines Instruments herausragt.“ Inhaltsverzeichnis. 1 Leben und Wirken. 2 Diskografie. 3 Lexigraphische Einträge. 4 Weblinks.
31. März 2021 · JJ 03/91: Marvin Stamm interviewed. Thirty years ago, the NTSU trumpeter, veteran of the Kenton Mellophonium Orchestra and Woody Herman band, talked to Stan Woolley. First published in Jazz Journal March 1991.
- Jazz Journal
Tide, an Album by Antônio Carlos Jobim. Released in November 1970 on A&M (catalog no. SP-3031; Vinyl LP). Genres: Bossa nova. Rated #504 in the best albums of 1970. Featured peformers: Antônio Carlos Jobim (piano, electric piano, guitar), Marvin Stamm (trumpet), Burt Collins (trumpet), Hubert Laws (flute), Romeo Penque (flute), Joe Farrell ...
- (526)
- November 1970
- Antônio Carlos Jobim
- 3.47 / 5.00.5from 524 ratings
2. Nov. 2020 · 1.2K views 3 years ago. Randy Brecker, Bob Mintzer and George Tidwell discuss the music and life of trumpeter Marvin Stamm. Includes performance clips from the Stan Kenton band, and the Nashville ...
- 21 Min.
- 1274
- Jazz Video Guy
An excellent bop-based trumpeter and a busy session player during much of his career, Marvin Stamm has long been a flexible player. He started on trumpet when he was 12 and later studied at North Texas State University.
Marvin Stamm. New York, New York. Over his career, Marvin Stamm has been praised for both the art and the craft of trumpet playing. Leonard Feather stated that Stamm is an accomplished performer whose technical skill is used as a means to stimulating original ends. Jazz Review states, “It is a pleasure listening to the work of Marvin Stamm ...
