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  1. Vor 2 Tagen · Recorded in collaboration with the musician Brian Eno and the producer Tony Visconti, it was the final release of his Berlin Trilogy, following Low and "Heroes" (both 1977). Sessions took place in Switzerland in September 1978 during a break in the Isolar II world tour, and in New York City in March 1979 at the tour's end.

    • September 1978, March 1979
    • David Bowie, Tony Visconti
    • 25 May 1979
  2. Vor 2 Tagen · The record was produced by Tony Visconti, and includes a variety of musicians, such as the guitarist Carlos Alomar, who became one of Bowie's most frequent collaborators, and the backing vocalists Ava Cherry, Robin Clark and then-unknown singer Luther Vandross. As the tour continued the setlist and design began to incorporate the influence of the new material. The recording sessions continued ...

    • August 1974 – January 1975
    • 7 March 1975
  3. 24. Apr. 2024 · In the Britpop era, Tony Visconti was rightly feted as a production genius and he helmed the only studio album from John Squire's post-Stone Roses group The Seahorses. Visconti applied his ...

  4. Vor 4 Tagen · Tony Visconti, the producer of Bowie's last four studio albums, was originally scheduled to produce the new album and set time aside to record. However, Bowie neglected to inform Visconti that he chose Rodgers for the project, the producer eventually learning through Bowie's assistant Coco Schwab closer to December 1982. Deeply hurt,

  5. 24. Apr. 2024 · During the early-to-mid-70s, Tony Visconti became the go-to producer for many of the era’s up-and-coming progressive rock acts, including The Strawbs, Canterbury scenesters Caravan and the virtuosic, London-based Gentle Giant.

    • Alan York
  6. 24. Apr. 2024 · If only for his lifelong collaboration with David Bowie, Tony Visconti would be among the greatest record producers of the rock era. Visconti and Bowie bonded early in the singer’s career...

  7. 6. Mai 2024 · Tony Visconti: „Gänsehaut“-Moment mit David Bowie und Iggy Pop Der Musikproduzent über ein surrealen Ereignis während der Produktion eines Lieds von David Bowie. Von Rolling-Stone-Redaktion

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