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The result was Der Triumph des Willens (Triumph of the Will)—a Nazi propaganda film widely considered to be among the most effective of its kind. Screens of text open the film, framing Hitler as a savior whose coming began “the German Rebirth.” 1 The text fades to the first scene : Hitler’s airplane flying above clouds, which part to reveal Nuremberg, its streets filled with citizens ...
The Triumph of the Will: Directed by Leni Riefenstahl. With Adolf Hitler, Max Amann, Martin Bormann, Walter Buch. The infamous propaganda film of the 1934 Nazi Party rally in Nuremberg, Germany.
4. Jan. 2023 · Triumph of the Will (German: Triumph des Willens) is a 1935 propaganda film chronicling the 1934 Nazi Party Congress in Nuremberg.The film contains excerpts of speeches given by Nazi leaders at the Congress, including Adolf Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction.
26. Sept. 2018 · Not Rated | 1h 50min | Documentary, Drama, History, War, Foreign | March 1935 (Germany) Original Title: Triumph des Willens The infamous propaganda film of the 1934 Nazi Party rally in Nuremberg, Germany. Director: Leni Riefenstahl Writers: Leni Riefenstahl, Walter Ruttmann Stars: Adolf Hitler, Hermann Göring, Max Amann
- 104 Min.
- 575K
- Film Gorillas
Home Triumph of the Will Wikipedia: Production Triumph of the Will Leni Riefenstahl Production. Riefenstahl, a popular German actress, had directed her first film called Das blaue Licht (The Blue Light) in 1932.[6]
El triunfo de la voluntad (título original en alemán: Triumph des Willens) es una película propagandística nacionalsocialista dirigida por Leni Riefenstahl. Muestra el desarrollo del congreso del Partido Nacionalsocialista en 1934 en Núremberg, al que acudieron más de 700 000 militantes y simpatizantes. 1 Se estrenó en 1935 y es una de ...
Triumph of the Will, like The Birth of a Nation, presents the great conundrum of art: can art be both morally reprehensible, and yet "great"? Riefenstahl was imprisoned by the Allies after the war, and then released, partly because no one could figure out if a film could be an instrument of war. Riefenstahl was adamant; she had been concerned with matters of form, not politics. But she was ...
