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  1. Collins, Elsbeth M. (Chair of Production & Stage Management) Hacker, Joseph. Mahoney, Duncan (Technical Director) Mitchell, Kenneth (Director of Musical Theatre) Ohama, Natsuko. Shay, Michele (Chair of Production) Shroyer, Stephanie. Warshofsky, David (Director of MFA Acting/McKinlay Chair) 821-4034.

  2. Dramatic Writing. The Master of Fine Arts in Dramatic Writing (MFADW) provides students with the foundation to not only build a fruitful career but to further discover and develop their own authentic voice.

  3. Sharon Marie Carnicke a professor of critical studies and acting at the USC School of Dramatic Arts. She is internationally acclaimed for her groundbreaking research on Stanislavsky and her master classes on Active Analysis, which was created by Stanislavsky and developed by the renowned Russian director Maria Knebel. She has published widely ...

  4. Bachelor of Fine Arts in Acting for Stage and Screen; All first-year and transfer candidates for undergraduate admission must complete the following: Submit The Common Application. You may apply to the USC School of Dramatic Arts using the Common Application, which includes some USC-specific questions. In addition to the online application, you ...

  5. Alumni. The USC School of Dramatic Arts supports, encourages and champions the wide ranging accomplishments of its alumni in arts and entertainment. The USC School of Dramatic Arts has the privilege of teaching the nation’s top students who go on to make an indelible mark on the artistic fields they enter. They have been honored with the most ...

  6. 28. Apr. 2024 · The School of Dramatic Arts strives to instill confidence, integrity, excellence and artistic sensitivity into each of its students — traits that are essential to success in any field. Drama Center 104. (213) 740-1286. FAX: (213) 740-8888. Email: sdainfo@usc.edu.

  7. Biography. Brent Blair is a professor of theatre practice at the USC School of Dramatic Arts. He is a Linklater-designated voice instructor and a former Fulbright scholar in the Igbo traditional theatre of West Africa. He trained in the practice of Theatre of the Oppressed with the late Augusto Boal and is the founding director of the Institute ...