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Uta Thyra Hagen (* 12. Juni 1919 in Göttingen; † 14. Januar 2004 in New York City, New York, Vereinigte Staaten) war eine deutsch-amerikanische Schauspielerin . Inhaltsverzeichnis. 1 Leben. 2 Auszeichnungen. 3 Veröffentlichungen. 4 Privates. 5 Filmografie (Auswahl) 6 Literatur. 7 Weblinks. 8 Einzelnachweise. Leben.
Uta Thyra Hagen (12 June 1919 – 14 January 2004) was a German-American actress and theatre practitioner. She originated the role of Martha in the 1962 Broadway premiere of Who's Afraid of Virginia Woolf? by Edward Albee, who called her "a profoundly truthful actress."
Uta Hagen (born June 12, 1919, Göttingen, Germany—died January 14, 2004, New York, New York, U.S.) German-born American actor and teacher who thrilled theatre audiences with her talent and versatility and also became a widely respected acting teacher and writer.
Uta Hagen. Actress: The Boys from Brazil. Noted stage actress who has also done limited work in TV and film. Born in Germany and raised in Madison, Wisconsin, she studied at the Royal Academy of Dramatic Arts in London. Her Broadway debut was in "The Seagull" in 1938. She won her first Tony (and other awards) in 1950 for Clifford Odets "The ...
Born in Germany, Uta Hagen moved to Madison, Wisconsin, at the age of six. With the exception of several interruptions for study in Europe, Ms. Hagen received most of her schooling in Madison, her home until age sixteen. After training briefly at the Royal Academy of Dramatic Arts in London, she made her professional debut in 1937 in Dennis ...
Ms. Hagen is the author of Respect for Acting, Love for Cooking, Sources - A Memoir and A Challenge for the Actor. She has received honorary doctorates from Smith College, DePaul University and Wooster College. During 1981-1983, she was inducted into The Theater Hall of Fame and the Wisconsin Theater Hall of Fame. In July 1986, Ms. Hagen was ...
12. Juni 2020 · By Louisa Winchell. Uta Thyra Hagen (June 12th, 1919 – January 14, 2004) had one of the longest and most impressive acting careers in American theater. Her work was expansive and dynamic, shaping a generation of emerging actors in the mid-to-late 20th century.
