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  1. 23. Apr. 2024 · “Ceiling” (dir. Věra Chytilová 1962). Chytilovás senior project at TAMU, this film explores the candid life of a Czech model, dealing with objectification and the performance of femininity. “Dyketactics” (dir. Barbara Hammer 1974). A reclamation of the female body, this lesbian film explores the female form and all its ...

  2. Vor 6 Tagen · Tue 26 Mar 2024. Art. Věra Chytilovás classic of surrealist cinema is the most adventurous and anarchic Czech movie of the 1960s. Two young women, both named Marie, revolt against a degenerate, decayed and oppressive society, attacking symbols of wealth and bourgeois culture.

  3. 3. Mai 2024 · Therefore, the options to incentivize a creative output from ChatGPT are international directors whose auteur nature redeveloped the genre thus choices like Larisa Shepitko, Věra Chytilová, Mati Diop, and Chantal Akerman seemed beyond adequate choices. Still, these auteur directors, besides Mati Diop, all hold a commonplace ...

  4. 16. Apr. 2024 · A triumph of avant-garde provocation, FRUIT OF PARADISE would prove to be Věra Chytilovás last film before the Soviet invasion of Czechoslovakia effectively quashed her career for the next seven years.”

  5. 24. Apr. 2024 · Věra Chytilová on Daises - seekandspeak.com - Made by Brandon Schaefer. “ Daisies was a morality play showing how evil does not necessarily manifest itself in an orgy of destruction caused by war, that its roots may lie concealed in the malicious pranks of everyday life.

  6. Vor 4 Tagen · O dva roky později se jeho pěti povídek chopili režiséři Jiří Menzel, Jan Němec, Evald Schorm, Věra Chytilová a Jaromil Jireš. Zrodil se povídkový film Perličky na dně a v každé se Hrabal objevil v malé vedlejší roli. Film získal dvě ceny na festivalu ve švýcarském Locarnu a díky němu také dostal Jiří ...

  7. bampfa.org › event › panelstoryPanelstory | BAMPFA

    24. Apr. 2024 · featuring. Eva Kacírková, Lukás Bech, Antonín Vanha, Michal Nesvadba, A new suburban housing block in the midst of either construction or destruction provides the site of Věra Chytilovás biting satire of official incompetence and corruption and of the resourcefulness and/or deceit of those left living in its cracks.