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It marked not only his turn to a modern sound and use of synthesizers (particularly on the opening track), but also, after the harmonies and backing vocals from Jennifer Warnes on the previous Recent Songs (1979), an even greater contribution from Warnes, who is credited equally to Cohen as vocalist on all of the tracks.
- June 1983
- John Lissauer
- December 11, 1984 (Canada), February 1985 (US, Europe)
His 1984 album Various Positions saw her credited as co-vocalist for the whole album, including his soon-to-be classic “Hallelujah.” Also, along with producer Roscoe Beck, she started recording an entire album of Cohen’s songs, using full band arrangements they had introduced on the Field Commander Cohen tour, instead of the more sparse ...
Various Positions is the seventh studio album by Leonard Cohen, released in December 1984. It marked not only his turn to a modern sound and use of synthesizers, but also, after the harmonies...
1. Dez. 1984 · Various Positions - Album by Leonard Cohen - Apple Music. Leonard Cohen. POP · 1984. Jennifer Warnes is Cohen's vocal sidekick on this beautifully produced and typically ruminative album—initially rejected by his record label—that attempted to contemporise him with occasional Casio beats and a country tinge.
1. Feb. 2008 · Recorded with vocalist Jennifer Warnes (who later cut the album Famous Blue Raincoat, a collection of Leonard Cohen compositions), Various Positions is a stunning return to form -- Cohen's strongest work since New Skin for the Old Ceremony.
Als Leonard Cohen 1985 nach über sechs-jähriger Pause sein achtes Album "Various Positions" veröffentlichte, hatte er die Fans mehr denn je auf seiner Seite. Das Album präsentierte seine besten Songs seit langem und stellte mit der Sängerin Jennifer Warnes eine Partnerin vor, deren Temperament ausgezeichnet zu Cohens melancholischen Texten ...
At the time, the album brought back New Skin from the Old Ceremony producer John Lissauer to the Cohen fold, and together—with Jennifer Warnes billed as a co-vocalist on the tracks—the trio went about assembling a “modern” Leonard Cohen album that embraced the current sounds of synthesizers and stronger backbeats.