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  1. Vor 20 Stunden · But we didn’t know how good we had it: At least “Heaven’s Gate” was shot by the brilliant Vilmos Zsigmond and attempted some big ideas and a shape. “Horizon” is television.

  2. Vor 5 Tagen · From the director of The Sadist and featuring music by Davie Allan and the Arrows, and photography by Vilmos Zsigmond (Close Encounters of the Third Kind), Jennie, Wife/Child easily exudes the ...

  3. www.americancinematheque.com › now-showing › heavens-gate-4/27/24HEAVEN'S GATE - American Cinematheque

    27. Apr. 2024 · Vilmos Zsigmonds cinematography provides as much dramatic pull, capturing a spectacular dust-filled, snow-peaked setting that evokes not only the enormity of Cimino’s Western tale but the awesome nature of America’s landscape and its historical significance in the film’s post Civil War era.

  4. 7. Mai 2024 · Vilmos Zsigmond was the hottest shit director of photography in Hollywood at that time, having recently won an Oscar for Close Enounters of the Third Kind (1977). He and his lifelong Hungarian buddy, Laszlo Kovacs, were huge. Anyway, I’m proud to say that at the age of twenty-one, with Vilmos Zsigmond as a captive audience – he ...

  5. Vor einem Tag · But we didn't know how good we had it: At least "Heaven's Gate" was shot by the brilliant Vilmos Zsigmond and attempted some big ideas and a shape. "Horizon" is television. I mean that literally, although I obviously can't prove it. It has dramatic thumps every 50 minutes or so — a raid, a shootout, an orchestral swelling. "Chapter 1" feels ...

  6. 4. Mai 2024 · Director Robert Altman sets the bleak, elegiac tone immediately, with the film’s unique look (cinematographer Vilmos Zsigmond ‘flashed’ the negative before the exposure rather than in post-production) creating the feel of a history textbook brought to life.

  7. Vor 4 Tagen · The set features a cinematographer's commentary by Vilmos Zsigmond, deleted and extended scenes, and production notes. [67] The Region 2 version of The Deer Hunter , released in the UK and Japan, features a commentary track from director Michael Cimino.