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Vincente Minnelli, born in Chicago, was an American stage director and film director, famous for directing such classic movie musicals as Meet Me in St. Louis (1944), Gigi (1958), The Band Wagon (1953), and An American in Paris (1951). An American in Paris and Gigi both won the Academy Award for Best Picture, with Minnelli winning Best Director for Gigi. In addition to having directed some of ...
Vincente Minnelli, (born Feb. 28, 1903, Chicago, Ill., U.S.—died July 25, 1986, Los Angeles, Calif.), U.S. film director. He began as a costume and set designer, achieved success as a Broadway director c. 1935, and moved to Hollywood in 1940. He combined a daring use of colour with imaginative camera work in films such as Cabin in the Sky ...
Vincente Minnelli directed some of the most celebrated entertainments in cinema history, including "Meet Me in St. Louis" (1944), "Father of the Bride" (1950), "An American in Paris" (1951), "The Bad and the Beautiful" (1952), "The Band Wagon" (1953), "Lust for Life" (1956) and "Gigi" (1958). Nevertheless, serious commentary on his work has, until recently, been sparse, partly because of the ...
Gigi (1958) Gigi ist ein US-amerikanisches Filmmusical des Regisseurs Vincente Minnelli aus dem Jahr 1958. Vorlage war der erstmals 1945 erschienene Kurzroman Gigi von Colette; der Stoff kam bereits 1951 als Schauspiel an den Broadway. Der Film Gigi wurde zu einem großen Publikumserfolg und gewann neun Oscars, darunter die Auszeichnung als ...
BIOGRAFIA DI VINCENTE MINNELLI. Nato nel 1903 a Chicago da padre italiano e madre canadese, Vincente Minnelli entra nel mondo dello spettacolo alla giovanissima età di tre anni. Appassionato ...
Vincente Minnelli s'est marié à quatre reprises, tout en étant bisexuel [8] : le 15 juin 1945 avec l'actrice Judy Garland. De cette union dissoute le 29 mars 1951, l'actrice ayant surpris son mari avec un homme (leur chauffeur), est née en 1946 l'actrice, chanteuse et danseuse Liza Minnelli.
22. Apr. 2004 · Vincente Minnelli was fond of words like “beauty” and “magic”. They crop up in interviews and in his autobiography, to the point where these words become an aesthetic principle or even a philosophy from a director otherwise notoriously incapable of being articulate about his own work: “The search in films, what you try to create, is a little magic.” And one searches for and creates ...
