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  1. Summary. In "The Work of Art in the Age of Mechanical Reproduction" (1935) Walter Benjamin presents the thematic basis for a theory of art by quoting the essay "The Conquest of Ubiquity" (1928), by Paul Valéry, to establish how works of art created and developed in past eras are different from contemporary works of art; that the understanding and treatment of art and of artistic technique ...

  2. Walter Benjamin identifica el aura con la singularidad, la experiencia de lo irrepetible. La reproducción técnica destruye dicha originalidad, ya que solo es posible calibrar el valor ritual de un objeto a partir de su valor exhibido. Al existir múltiples reproducciones, se pierde la originalidad y, en consecuencia, el arte se vuelve un ...

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  4. en.wikipedia.org › wiki › Walter_LantzWalter Lantz - Wikipedia

    Walter Lantz (April 27, 1899 – March 22, 1994) was an American cartoonist, animator, producer and director best known for founding Walter Lantz Productions and creating Woody Woodpecker. [2] [3] Contents

  5. WALTER BENJAMIN “Our fine arts were developed, their types and uses were established, in times very different from the present, by men whose power of action upon things was insignificant in comparison with ours. But the amazing growth of our techniques, the adaptability and precision they have attained, the ideas and

  6. en.wikipedia.org › wiki › FlâneurFlâneur - Wikipedia

    Walter Benjamin adopted the concept of the urban observer both as an analytical tool and as a lifestyle. From his Marxist standpoint, Benjamin describes the flâneur as a product of modern life and the Industrial Revolution without precedent, a parallel to the advent of the tourist.

  7. heilige.deHeilige

    Zugegeben: Die Zeiten, in denen nicht der Geburtstag, sondern der Namenstag groß gefeiert wurde, sind vorbei. Doch der Namenstag hat uns unverändert etwas zu sagen: Er erinnert uns an die Heilige oder den Heiligen, nach der oder dem wir benannt sind.

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