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Emmylou Harris, Jerry Reed, Mel Tillis, Jessi Colter, and actor James Garner also make appearances, and Jennings sings one song with Tony Joe White. Bob McDill wrote the lone Jennings solo track, "I May Be Used (But I Ain't Used Up)," which peaked at #4. The album contains the #1 hit single "
- 32:02
- September 1983
- Waylon Jennings
Waylon Jennings And Emmylou Harris - Spanish Johnny Album Waylon And Company 1983. Music. SONG. Spanish Johnny (2007 Remaster) ARTIST. Emmylou Harris, Waylon Jennings. ALBUM....
- 4 Min.
- 915
- Roelles
Primary Artists Emmylou Harris & Waylon Jennings. Featuring Emmylou Harris, Ernest Tubb, Hank Williams & 5 more. Producers Brian Ahern & Waylon Jennings. Writers Hank Williams Jr., Paul...
30. Apr. 2010 · 67. 14K views 13 years ago. "Spanish Johnny" written by Paul Siebel and David Bromberg. Recorded by Emmylou Harris and Waylon Jennings on Waylon's 1983 album "Waylon and Co."...
- 4 Min.
- 14,2K
- katson6
- Love Hurts
- Boulder to Birmingham
- Till I Gain Control Again
- Pancho and Lefty
- Darkest Hour Is Just Before Dawn
- Woman Walk The Line
- Orphan Girl
- Red Dirt Girl
To think of Harris is often to think of her brief but incredibly influential partner in song, the cosmic cowboy Gram Parsons: the man frequently credited with helping give birth to alt-country, influencing artists from Ryan Adams to Wilco. Before they met, Harris was paying her dues on Washington DC’s folk scene and not particularly interested in c...
After Parsons’ death, Harris was reeling and inconsolable. She had already established herself as an impressive interpreter of song, a legacy cemented by her exquisite second solo album, 1975’s Pieces of the Sky. It contained just one Harris writing credit, Boulder to Birmingham. Composed with Bill Danoff, it helped her work through the loss of Par...
In 1975, very few people knew the name Rodney Crowell, now himself a country great and two-time Grammy winner. But the second that Harris heard his songs after meeting in Washington DC late after a gig, she knew that was about to change. Till I Gain Control Again was one of the first pieces the Texan played for her, and it resonated instantly. “It ...
Harris opened for the young Townes Van Zandtin 1968 and was “stunned” when she first heard him. “I had never heard those kinds of lyrics with those melodies; the haunting quality in his voice was like the ghost of Hank Williams,” Harris says. She was soon covering his rich story-song about two ill-fated Mexican bandits, Pancho and Lefty, on the roa...
While Harris had some success in the country charts in the 1970s, she found her share of traditionalist detractors, too: they implied that she “wasn’t country enough” and she was never quite as genre-pure as they wanted her to be. Her response? Give those naysayers something to chew on in the form of a diehard country record (bluegrass, to be exact...
In the mid-80s, Harris finally found herself at a point where she was able to dive fully into her grief surrounding the loss of Parsons, crafting a whole album based around the indelible impression he left on her life: 1985’s The Ballad of Sally Rose. “That was the first time I threw myself into writing a whole album,” says Harris. The centrepiece,...
Orphan Girl, written by Gillian Welchand Dave Rawlings, was another example of Harris’s gift for finding standout songs, and standout writers, in a crowded scene. Harris was given a cassette that included a primitive version of the track from the now-famed folk duo. “It blew my mind,” she recalls. “It sounded like some old song dug up in a pile of ...
After Wrecking Ball, Guy Clark told Harris that she had to write her next record: “‘No ifs, ands or buts, and I don’t want any excuses. I don’t care if it takes you five years.’ And it did take me that much time.” Harris got to work, observing the world around her as she made the drive from Nashville to New Orleans, where she was recording the LP. ...
LP, Album, Stereo. View credits, reviews, tracks and shop for the 1983 Vinyl release of "Waylon And Company" on Discogs.
EmmyLou Harris appears courtesy of Warner Brothers Records. Willie Nelson appears courtesy of Columbia Records. Mel Tillis appears courtesy of MCA records. Embossed front sleeve logo. Barcode and Other Identifiers. Barcode (Scanned): 078635482614. Barcode (Printed): 0 7863-54826-1.
