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We Must Become the Pitiless Censors of Ourselves is the third album by American musician John Maus, released on June 27, 2011. Its title is derived from French philosopher Alain Badiou 's "Fifteen Theses on Contemporary Art". Maus said that he wrote the album in a "search for the perfect pop song". Upon release, the album was met ...
- 31:52
- June 27, 2011
- John Maus
John Maus - We must become the pitiless censors of ourselves • Plattentests.de-Rezension. Scheues Reh mit Klappmesser. John Maus, das ist vertonter Weltschmerz, gecroont in bestickte Stofftaschentücher mit schwarzen Hirschkäfern drauf. Das ist experimenteller und doch vertrauter Synthiepop mit fahrigen Lyrics in Endlosschleifen.
8. Juli 2011 · We Must Become the Pitiless Censors of Ourselves, his latest full-length, is the most vibrant and toothsome expression of Maus' pursuits yet. He keeps his vocals awash in gothic...
7. Juli 2011 · John Maus: We Must Become Pitiless Censors of Ourselves – review. (Upset the Rhythm) Michael Hann. Thu 7 Jul 2011 17.00 EDT. T he early press about John Maus's third album suggested...
We Must Become the Pitiless Censors of Ourselves is the third album by American lo-fi musician John Maus, released on June 27, 2011. Its title is derived from French philosopher...
6. Juli 2011 · On his third album, John Maus continues his pursuit of immediacy-in-action mixed with a certain calm, developing a further tension that infuses both his music and words. Like pal Ariel Pink’s Before Today, John Maus’ We Must Become the Pitiless Censors of Ourselves is steeped in ’80’s magic.
Einer umwerfenden Wall Of Sound, die einen unwillkürlich nach Kopfschmerztabletten verlangen lässt. Beim Hören von "We Must Become The Pitiless Censors Of Ourselves", dem nunmehr...
