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  1. Welcome to the Monkey House was recorded between studios in Portland, Oregon, London and New York between September 11, 2001 and December 2, 2002. The album features musical and production collaborations with Nick Rhodes, Tony Visconti, Nile Rodgers and Evan Dando. Content

    • September 11, 2001 – December 2, 2002
    • New wave
    • May 5, 2003
  2. View credits, reviews, tracks and shop for the 2003 CD release of "Welcome To The Monkey House" on Discogs.

    • (126)
    • Europe
    • 85
    • CD, Album, Enhanced
  3. Nun ja, sie sind halt ein bißchen exzentrisch. Das richtige Motto der Gala heißt allerdings "Eighties forever", was gleich mit dem ersten Auftritt klargestellt wird. Schließlich werden die Dandy Warhols von den Ex-Duran Duran-Mitgliedern Nick Rhodes und Simon LeBon sowie T. Rex-Producer Tony Visconti in die Manege geführt. Im Hintergrund ...

  4. Welcome To The Monkey House. Produced by Courtney Taylor-Taylor and Nick Rhodes Except * Produced by Courtney Taylor-Taylor and Tony Visconti ** Produced by Courtney Taylor-Taylor. VOCALS/GUITARS: Courtney Taylor-Taylor KEYBOARDS/BASS: Zia McCabe GUITARS: Peter Loew DRUMS/BACKING VOCALS: Brent DeBoer. Engineered by Brian Coates with Bjorn Thorsrud.

  5. 15. Dez. 2013 · 68. Based on 35 ratings. 2003 Rank: #362. Liked by 3 people. Details. Submit Correction. May 5, 2003 / Release Date. LP / Format. Capitol Records / Label. Alternative Rock / Genre. Courtney Taylor-Taylor, Nick Rhodes, Tony Visconti / Producer. Full Credits. Amazon. Apple Music. Spotify. Sign In to rate and review. Add Critic Rating. Sort.

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  6. 29. Juni 2003 · What was supposed to be the final nail in the coffin, was the announcement that Nick Rhodes, the bleach-blondie out of Duran Duran, would be co-producing the fourth Dandys album. Well, first things first. Welcome To The Monkey House is not The Dandy Warhols' best album and it's hard to think anyone would think any differently. Then ...

  7. Better Nick Rhodes producing alt sellouts than Nick Rhodes claiming alt himself, and better alt sellouts embracing electropop detachment than alt sellouts aping rock and roll abandon. Clever and droll but also hypnotic and mysterious, with odd noises buried in the luscious mix and Zia McCabe's keyb bass as pleasurable as any explicit hook, they make their big statement in "Plan A," which goes ...