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  1. Vor einem Tag · Schoenbrun skilfully uses music to make sense of the noise. I Saw the TV Glow is a hypnotic mystery, jumping through time and planes of reality and dreams to explore how our pop culture obsessions shape our identities. There’s a level of fascinating self-awareness, then, in its accompanying album, reminiscent of era-defining soundtracks born ...

  2. Vor einem Tag · Cabaret is an American musical with music by John Kander, lyrics by Fred Ebb, and a book by Joe Masteroff. It is based on the 1951 play I Am a Camera by John Van Druten, which in turn was based on the 1939 novel Goodbye to Berlin by Christopher Isherwood . Set in 1929–1930 Berlin during the twilight of the Jazz Age as the Nazis rise to power ...

  3. Vor einem Tag · NWOTHM. The new wave of British heavy metal (commonly abbreviated as NWOBHM) was a nationwide musical movement that started in England in the mid-1970s and achieved international attention by the early 1980s. Editor Alan Lewis coined the term for an article by Geoff Barton in a May 1979 issue of the British music newspaper Sounds to describe ...

  4. Vor einem Tag · According to the Revolution member Lisa Coleman, Prince then changed the song after the Revolution's Wendy Melvoin started playing guitar chords to accompany the song: "He was excited to hear it voiced differently. It took it out of that country feeling. Then we all started playing it a bit harder and taking it more seriously. We played it for six hours straight and by the end of that day we ...

  5. Vor einem Tag · He makes a final cameo appearance in "The One with the Flashback", set in 1993, where he complains that Phoebe's noise is disturbing his oboe practice (even though he does not actually play the oboe), and inadvertently (and cruelly) causes Joey to be Chandler's roommate. He usually states that items are his, and when the other person states that he does not have one, Mr. Heckles says that he ...

  6. Vor einem Tag · Ebert concluded by writing: "What's great in the film, and what will make it live for many years and speak to many audiences, is what Coppola achieves on the levels Truffaut was discussing: the moments of agony and joy in making cinema. Some of those moments occur at the same time; remember again the helicopter assault and its unsettling juxtaposition of horror and exhilaration. Remember the ...