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Vor 4 Tagen · Astaire and Rogers made nine films together at RKO: Flying Down to Rio (1933), The Gay Divorcee (1934), Roberta (1935, in which Astaire also demonstrates his oft-overlooked piano skills with a spirited solo on "I Won't Dance"), Top Hat (1935), Follow the Fleet (1936), Swing Time (1936), Shall We Dance (1937), Carefree (1938), and The Story of Vernon and Irene Castle (1939). Six out of the nine ...
Vor 5 Tagen · Fred Astaire, American dancer onstage and in motion pictures who was best known for a number of highly successful musical comedy films in which he starred with Ginger Rogers, including The Gay Divorcee, Top Hat, and Swing Time. He is regarded by many as the greatest popular-music dancer of all time.
- The Editors of Encyclopaedia Britannica
26. Apr. 2024 · The best '60s dance movies usually include an amazing musical score, in addition to the coolest moves n' grooves of the decade. This list of the best 1960s dance films highlights the legendary choreography of Bob Fosse ( Sweet Charity ), Busby Berkeley ( Billy Rose’s Jumbo) and Jerome Robbins ( West Side Story ).
2. Mai 2024 · As one of the quintessential '80s dance movies, this story centers on the lives of students attending New York City's High School for the Performing Arts. Through their journey, we witness the trials and tribulations of aspiring artists as they hone their skills in an environment brimming with competition and cutthroat ambition. Notable for its ensemble cast, including Irene Cara and Gene ...
Vor 3 Tagen · Dive into 32 intriguing facts about the beloved movie Shall We Dance, from behind-the-scenes trivia to its impact on popular culture. Discover everything you need to know about this iconic film!
17. Apr. 2024 · Busby Berkeley (born November 29, 1895, Los Angeles, California, U.S.—died March 14, 1976, Palm Springs, California) was an American motion-picture director and choreographer who was noted for the elaborate dancing-girl extravaganzas that he created on film.
23. Apr. 2024 · Bob Fosse, American dancer, choreographer, and director who revolutionized musicals with his distinct style of dance—including his frequent use of props, signature moves, and provocative steps—and was well known for eschewing light comedic story lines for darker and more-introspective plots.
