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  1. Where the Beat Meets the Street (Columbia Records, 1984) With Booker T. & the M.G.'s. Green Onions (Stax Records, 1962) Soul Dressing (Stax Records, 1965) And Now! (Stax Records, 1966) In the Christmas Spirit (Stax Records, 1966) Hip Hug-Her (Stax Records, 1967) Doin' Our Thing (Stax Records, 1968) Soul Limbo (Stax Records, 1968 ...

  2. Steve Cropper – guitar; Paulinho Da Costa – percussion; Chuck Domenico – bass; Jim Ehinger – keyboards; Alphonso Johnson – bass; Sherlie Matthews – vocals; Brian Setzer – guitar; Production. Producer – Jeff Baxter; Production coordinators – Marylata Elton and David Richman; Engineer – Larold Rebhun

  3. Steve Cropper wuchs zunächst auf einer Farm auf. Als er zehn Jahre alt war, zogen seine Eltern mit ihm nach Memphis, Tennessee, wo er das erste Mal in Kontakt mit der dort blühenden Soulmusik und dem Rhythm and Blues kam und zusammen mit seinem Schulfreund und späteren Mitmusiker Donald „Duck“ Dunn Gitarre spielen lernte.

  4. 9. Nov. 2020 · In August 1984, Columbia Records released Bobby and the Midnites' second album, Where the Beat Meets the Street, which again was not commercially successful, though it charted briefly. Bobby and the Midnites played their final show on September 30, 1984, at Rio in Valley Stream, NY, after which Weir, while continuing with the Grateful Dead, rejoined Kingfish and did solo performances. He later ...

  5. Where The Beat Meets The Street Bobby And The Midnites Initial release : August 1984. Columbia BFC 39276 . The second album from Bob Weir's Bobby and the Midnites band.

  6. Where the Beat Meets the Street, an Album by Bobby & The Midnites. Released in 1984 on CBS (catalog no. 26046; Vinyl LP). Genres: Heartland Rock. Rated #1708 in the best albums of 1984. Featured peformers: Steve Cropper (guest), Brian Setzer (guest), Chuck Domonico (guest), Lee Drucker (guest), Jim McDonnell (guest), Jim Ehinger (guest ...

  7. 31. Mai 2021 · The guitarist with Booker T. & The M.G.’s, Stax Records’ house band, Steve Cropper backed scores of soul greats during the 60s as well as being a go-to producer. He’s also a songwriter whose compositions include classics such as Wilson Pickett’s In The Midnight Hour, Eddie Floyd’s Knock On Wood and Otis Redding ’s (Sittin’ On) The ...