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  1. Vor 5 Stunden · The lyrics of the original 1950 song extends this idea through a series of racist sonic and kinetic similes: The rikshaw boy moves like a monkey on a stick, he stomps and bleats like a goat, he groans and wheezes like a wild hare, he jumps like a kangaroo, he cock-a-doodle-doos like rooster, he caws like an old, black crow. On a sonic level, these similes have clear aural corollaries, and ...

  2. Vor 5 Stunden · Second, it demonstrates how the very definition of white pleasure is enmeshed with a metalanguage that puts it under erasure. Far from a casual interjection, it recreates the crisis on which white pleasure depends: not only are you now obliged to have fun for the greater cause of salvaging boeremusiek, obligation and self-castigation are enregistered as an aspect of “fun” itself. Finally ...

  3. Vor 5 Stunden · Abstract. This chapter traces boeremusiek’s roots in blackface minstrelsy by revisiting historical source materials from the nineteenth and early twentieth centuries. By paying close attention to the linguistic tropes used to describe the concertina’s sound (as “wild” and “weird”), I show how the aesthetics of blackface bleeds into ...

  4. Vor einem Tag · 3-03 –Matthew Wilder - Break My Stride (Album Version) 2:59 3-04 –Corey Hart - Sunglasses At Night 3:49 3-05 –The Cars - Drive 3:52 3-06 –Foreigner - I Want To Know What Love Is (LP Version) 4:51 3-07 –Philip Oakey & Giorgio Moroder - Together In Electric Dreams 3:49 3-08 –Wham! - Freedom (Single Version) 5:16

  5. Vor einem Tag · Состояние на фото. Пожалуйста, прежде чем делать ставку или покупать товар, внимательно прочитайте следующее: 1. Внешний вид и состояние товара, представлены на фото. На обозрение, выставляю фотографии только тех ...

  6. Vor 5 Stunden · Rejecting traditional gender roles, Ganesh depicts female archetypes such as witches and goddesses that reimagine representations of femininity, sexuality, and power. Ganesh references ancient mythology, queer politics, old Bollywood poster and songs, and the erasure of South Asian history in her works.