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  1. James Taylor – Hintergrundgesang auf 9; John Guerin, Kenny Rankin, Robert De La Garza, Skip Cottrell – Flüsterchor auf 6; Welttournee. Die anschließende Welttournee führte Mitchell durch die USA, Europa, Asien und Australien. Ein Video der Tournee wurde 1983 unter dem Titel Refuge of the Roads veröffentlicht. Die ...

  2. James Taylor – backing vocals (track 9) Kenny Rankin – whisper chorus (track 6) Robert De La Garza – whisper chorus (track 6) Skip Cottrell – whisper chorus (track 6) Technical personnel. Joni Mitchell – production, mixing; Larry Klein – mixing; Henry Lewy – engineering at A&M; Skip Cottrell – engineering at A&M

    • October 1982
  3. That track reunites Mitchell with one of her most publicized paramours, James Taylor, and the pairing works both musically and thematically as each singer's overdubbed choir calls and responds from opposite sides of the stereo mix.

  4. Joni Mitchell's Wild Things Run Fast: High Fidelity, January 1983. Wild Things Run Fast: Rip It Up, January 1983. Joni Mitchell: Evening Sun (Baltimore), January 4, 1983. Wild Things Run Fast: California Aggie, February 4, 1983. Joni looks at love from a different side now: Eau Claire Leader-Telegram, February 5, 1983.

  5. People. December 6, 1982. Like artist Georgia O'Keeffe, a woman she admires, Joni seems stubbornly loyal to her muse. Perhaps it is a fidelity that springs from a recognition of the fickle nature of public acclaim. The artistic stops on Joni's artistic hegira in recent years have been in the exotic jazz territory, culminating with her arcane ...

  6. Steve Lukather, James Taylor and Wayne Shorter appear courtesy of CBS Records. Lionel Richie appears courtesy of Motown Record Corp. Russell Ferrante, Larry Carlton and Mike Landau appear courtesy of Warner Bros. Records. Larry Williams appears courtesy of A&M Records, Inc. © ℗ 1982 The David Geffen Company Made in U.S.A. Printed in U.S.A.

  7. Wild Things Run Fast is Joni Mitchell‘s eleventh studio album and her first for Geffen Records. Released in 1982, it represents her departure from jazz to a more 80s pop sound. The resulting world tour took Mitchell through the U.S., Europe, Asia and Australia.

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