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  1. William Churchill de Mille (* 25. Juli 1878 in Washington, North Carolina; † 5. März 1955 [1] in Playa del Rey, Kalifornien) war ein US-amerikanischer Bühnenautor und Regisseur. Er war der Bruder des wesentlich bekannteren Filmemachers Cecil B. DeMille . Inhaltsverzeichnis. 1 Leben. 2 Filmografie (Auswahl) 3 Literatur. 4 Weblinks.

  2. William Churchill deMille (July 25, 1878 – March 5, 1955), also spelled de Mille or De Mille, was an American screenwriter and film director from the silent film era through the early 1930s. He was also a noted playwright prior to moving into film.

  3. William C. de Mille. Director: The Splendid Crime. William Churchill de Mille, the older brother of Hollywood legend Cecil B. DeMille (W.C. retained the family spelling of his name) and father of Tony Award-winning choreographer Agnes de Mille, was born in Washington, North Carolina, on July 25, 1878.

    • January 1, 1
    • Washington, District of Columbia, USA
    • January 1, 1
    • Playa del Rey, Los Angeles, California, USA
  4. William Churchill de Mille (* 25. Juli 1878 in Washington , North Carolina ; † 5. März 1955 [1] in Playa del Rey , Kalifornien ) war ein US-amerikanischer Bühnenautor und Regisseur .

  5. William Churchill de Mille (1878 – 1955) was an American screenwriter and film director from the silent movie era through the early 1930s. He was also a noted playwright prior to moving into film. Once he was established in film he specialized in adapting Broadway plays into silent films.

  6. William C. de Mille Biography William Churchill de Mille was the older brother of Hollywood legend Cecil B. DeMille (W.C. retained the family spelling of his name) and father of Tony Award-winning choreographer Agnes de Mille.

  7. Overview. William C. de Mille. (1878—1955) Quick Reference. (1878–1955), playwright. The son of Henry C. de Mille and father of Agnes de Mille, he was born in Washington, North Carolina, and studied at Columbia University, then at the ... From: de Mille, William C [hurchill] in The Oxford Companion to American Theatre »