Suchergebnisse
Suchergebnisse:
Where woman's picture themes still figure on cinema screens, they increasingly surface in films that are generic hybrids, such as Thelma and Louise (1991), which constructs a female-centered narrative viewpoint but within the conventions of a characteristically male-centered genre, the buddy movie.
11. Juli 2011 · Woman's Picture: Directed by Brian Pera. With Ann Magnuson, Calpernia Addams, Amy Lavere, Brian Pera. Woman's Picture is an anthology film inspired by classic women's films of the thirties, forties, and fifties. The story is divided into three sections, each of which deals with its own specific female character.
- (15)
- Drama
- Brian Pera
- 2011-07-11
Woman’s Picture is an anthology film inspired by classic women’s films of the thirties, forties, and fifties. The story is divided into three sections, each of which deals with its own specific female character. The segments function as parallel dimensions, exploring thematic connections between women whose immediate experiences seem very ...
- Brian Pera
- Wahpeton Film Collective
- Ann Magnuson
However, neither takes the woman's picture as its focus: Stacey is concerned more broadly with the female social audience, Taylor with a highly distinctive variant of audience involvement—fandom—and with a film that, by any version of the accepted definition, cannot be regarded as a woman's picture. Therefore, we know very little in any ...
Woman’s Picture is an anthology film inspired by classic women’s films of the thirties, forties, and fifties. The story is divided into three sections, each of which deals with its own specific female character.
Woman's Picture is an anthology film inspired by classic women's films of the thirties, forties, and fifties. The story is divided into three sections, each of which deals with its own specific female character. The segments function as parallel dimensions, exploring thematic connections between women whose immediate experiences seem very far ...
Woman's Picture is an anthology film inspired by classic women's films of the thirties, forties, and fifties. The story is divided into three sections, each of which deals with its own specific female character. The segments function as parallel dimensions, exploring thematic connections between women whose immediate experiences seem very far ...
