Suchergebnisse
Suchergebnisse:
The Zero Theorem is a 2013 science fiction film directed by Terry Gilliam, starring Christoph Waltz, David Thewlis, Mélanie Thierry and Lucas Hedges. Written by Pat Rushin, the story is about Qohen Leth (Waltz), a reclusive computer genius tasked with solving a formula that will determine whether life holds meaning.
- $1.2 million
- George Fenton
- $8.5–13.5 million
19. Aug. 2014 · With Christoph Waltz, Gwendoline Christie, Rupert Friend, Ray Cooper. A hugely talented but socially isolated computer operator is tasked by Management to prove the Zero Theorem: that the universe ends as nothing, rendering life meaningless. But meaning is what he already craves.
- (49K)
- Comedy, Drama, Fantasy
- Terry Gilliam
- 2014-08-19
Hired to crack a theorem, reclusive computer genius Qohen Leth (Christoph Waltz) begins to make headway until his controlled world is interrupted by seductive Bainsley (Mélanie Thierry) and ...
- (403)
- Terry Gilliam
- R
- Christoph Waltz
Zero ist ein Fernsehfilm von Jochen Alexander Freydank nach der Romanvorlage Zero – Sie wissen, was du tust von Marc Elsberg und wurde am 3. November 2021 im Ersten ausgestrahlt. Inhaltsverzeichnis. 1 Handlung. 2 Hintergrund. 3 Rezeption. 3.1 Kritiken. 3.2 Einschaltquoten. 4 Weblinks. 5 Einzelnachweise. Handlung.
- Zero
- Deutsch
Zero Sum. Rent Zero Sum on Prime Video, or buy it on Prime Video. Ruth ends up with no memories on a mysterious spaceship. However, it is only a matter of time before the pieces of the...
- Drama, Sci-Fi
- Aimee-Ffion Edwards, Philip Davis
- Jimmy Hay
Upcoming Science-Fiction movies. Where is Zero Sum streaming? Find out where to watch online amongst 45+ services including Netflix, Hulu, Prime Video.
Zero Sum Films uses an ethno-narrative approach to explore pressing social and political issues. Core to both our fiction and non-fiction work is embedding deeply into the lives of our subjects, and making our subjects central to our storytelling process. We use film to build bridges, create empathy, and challenge our audiences’ conventions ...
