Suchergebnisse
Suchergebnisse:
After Jean-Michel read in an American newspaper, The Village Voice about an exhibition held by the avant-garde singer Laurie Anderson in a New York gallery. He called and invited her to the studio to listen to his demos. Seduced by Jarre's proposed idea of speaking a completely imaginary language, she agreed and provided the vowels ...
- 1983–1984
- Jean-Michel Jarre
- November 1984
10. März 2024 · Fazit: „Zoolook“ kann zu Beginn sehr gut überzeugen, dann gleitet das Album leider etwas in die Belanglosigkeit ab. Doch dieser Anfang, vor allem mit dem tollen „Ethnicolor“, entschädigt für die Langeweile am Ende und macht „Zoolook“ damit doch noch zu einem hörenswerten Erlebnis.
Zoolook – 3:52; Wooloomooloo – 3:18; Zoolookologie – 4:21; Blah Blah Cafe – 3:21; Ethnicolor II – 3:52; Geschrieben und arrangiert von Jean-Michel Jarre in Assistenz von Pierre Mourey und Dennis Vanzetto. Stimmenbearbeitung in Zusammenarbeit mit Laurie Anderson, Adrian Belew, Yogi Horton, Marcus Miller, Ira Siegel
- Disques Dreyfus
- 1984
- 37 min 54 s
- Electronica
31. Dez. 2010 · Laurie Anderson performs on Jean Michel Jarre's Zoolook.Uploaded in accordance with the public permissions by Jean Michel Jarre on his official youtube channel.
- 8 Min.
- 52,3K
- JarreEgyptNZ
Zoolook. A study in sampling and perhaps Jarre’s most experimental album to date, Zoolook was created in collaboration with musicians such as Laurie Anderson. Constructed from disparate sampled fragments of songs and speech in more than 30 different languages, Zoolook moves from avant-garde to electro and funk.
15. Aug. 2009 · Jean-Michel Jarre / Zoolook France 1984 Official Website: http://www.jeanmicheljarre.com/ Jean Michel Jarre -- keyboards, Fairlight CMI Laurie Anderson -- vocals Adrian Belew -- guitars,...
- 4 Min.
- 139,7K
- Ferdiphone
Laura Phillips "Laurie" Anderson (born June 5, 1947) is an American avant-garde artist, musician and filmmaker whose work spans performance art, pop music, and multimedia projects. Initially trained in violin and sculpting, [4] Anderson pursued a variety of performance art projects in New York during the 1970s, focusing particularly on language, technology, and visual imagery. [2]
