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  1. Vor 5 Tagen · Hiroshima Mon Amour (1959) Set in the recently rebuilt Hiroshima, Alain Resnais’ 1959 film weaves together a passionate love affair between a French actress (Emmanuelle Riva) and a Japanese architect (Eiji Okada) with the devastating legacy of the atomic bomb.

  2. Vor 3 Tagen · The collection Revisioning History (1995), which Rosenstone edited, featured case studies of films that could be included in this category such as Hiroshima, mon amour (dir. Alain Resnais, 1959), Memories of Underdevelopment (dir. Tomás Gutiérrez Alea, 1968), Hitler: a Film from Germany (dir. Hans-Jürgen Syderberg, 1977) and ...

  3. Vor 4 Tagen · Watching a film | Alain Resnais «Hiroshima, mon amour». May 17, 2024 Events Upcoming events. On July 2, the screening of Alain René's film "Hiroshima, my love" will take place in the Tamanyana Great Hall of the National Library of Armenia. Entrance is free.

  4. Vor 2 Tagen · Limning glimmers of the movie posters of his age, he starts the piece with a mirage of all the onscreen rage in “c. 1959”: Chabrol’s Les Cousins, Kalatozov’s The Cranes Are Flying; Alain Resnais’s Hiroshima Mon Amour all playing at the 8 th Street Playhouse. What ensues amounts to something of a eulogy for love of cinema—now ruled ...

  5. Hiroshima, mon amour: Marguerite Duras being a novelist is strongly felt in the way the story is told and the dialogue, as well as Alain Resnais documentary style filming. The opening sequence was my favourite.

  6. Vor 3 Tagen · Already famous as the screenwriter of Alain Resnaiss film Hiroshima Mon Amour (1960), Duras had been contracted by Nin’s agent and produced a script of the novel. Yet the script disgruntled Nin, who felt that her “sexually liberated” Sabina had been converted by Duras into a “schizoid” and a “whore.”.

  7. Vor 3 Tagen · Sus dos primeros largometrajes – Hiroshima mon amour (1959) y El año pasado en Marienbad (1961)- y su mediometraje sobre los campos de exterminio nazis Noche y niebla (1955) son hoy verdaderos clásicos del cine galo, materia obligatoria en escuelas de cine y referentes de ese cine de autor “a la europea” que parece a punto de extinguirse.