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  1. 26. Juni 2019 · Die National Portrait Gallery, London, zeigt im Sommer 2019 die Serie „Untitled Film Stills” von Cindy Sherman, die seit 1977 fotografische Bilder von verschiedenen Charakteren aus einem Film präsentiert. Die Serie ist eine Retrospektive ihres Werks, das die Entwicklung ihrer künstlerischen Methode und die Faszination an der Veränderung ihres Äußeren und der Entstehung von Bildern mit einem impliziten aber unspezifischen Narrativ thematisiert.

  2. A series of over seventy black and white photographs by Cindy Sherman that imitates film stills and creates different personas. The artist uses her own body as a tool to deceive and explore the constructed nature of identity and image culture. The images are available for sale at artlead, a platform for art lovers and collectors.

  3. A photograph from Sherman's series of sixty-nine film stills, each depicting a different female character from movies. Learn about the artist's concept, the exhibition history, and the copyright information of this work.

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  4. Untitled Film Stills is a series of black and white photographs by American visual artist Cindy Sherman predominantly made between 1977 and 1980, which gained her international recognition. Sherman casts herself in various stereotypical female roles inspired by 1950's and 1960's films.

  5. 26. Juni 1997 · Untitled Film Stills. Sherman’s landmark series of 69 black-and-white photographs (1977–80), acquired in its entirety by the Museum in 1995.

  6. A feature article on the iconic series of seventy black-and-white portraits by Cindy Sherman, who photographed herself as different characters inspired by film genres and stereotypes. The article explores the themes of identity, femininity, and visual culture in postwar America and beyond.

  7. 16. Juli 2019 · His influence can be seen on a number of stills, especially those which are evocative of shots from his informal trilogy about modern alienation, 1960’s L’avventura (which 1979’s Untitled Film Still #48 is reminiscent of), 1961’s La notte (Untitled Film Still #16, 1978) and 1962’s L’eclisse (Untitled Film Still #63, 1980).