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  1. Singing, the production of musical tones by means of the human voice. Singing is distinguished from speaking by the manner in which the breath is expended to vibrate the vocal cords. Singing requires more breath the louder, higher, and longer one sings. Learn more about singing in this article.

    • The Editors of Encyclopaedia Britannica
  2. en.wikipedia.org › wiki › Music_theoryMusic theory - Wikipedia

    Music theory. Jubal, Pythagoras and Philolaus engaged in theoretical investigations, in a woodcut from Franchinus Gaffurius, Theorica musicæ (1492) Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the " rudiments ...

  3. 31. März 2022 · The most basic musical theory that a singer should know is classifying their own voice. This allows you to give people a snapshot of what you can do with your voice. As a singer, you are categorised into one of the six vocal ranges. These define how high and low you can naturally sing. Bass (E2-E4) Baritone (A2-A4) Tenor (C3-C5) Alto ...

    • definition of singing music theory1
    • definition of singing music theory2
    • definition of singing music theory3
    • definition of singing music theory4
  4. 6. Dez. 2023 · Music theory is a practice musicians use to understand and communicate the language of music. Musical theory examines the fundamentals of music. It also provides a system to interpret musical compositions. For example, basic music theory defines the elements that form harmony, melody, and rhythm.

  5. Music theory is the study of the basics of music, including musical elements and notations. Meanwhile, musicology is the academic study of music. It covers the history of music, the physical characteristics of sound, and music theory.

  6. 1. Apr. 2014 · Intonation is an important aspect of sung performances. This chapter presents someinvestigations of vocal ensemble and solo singing.

  7. 14. Feb. 2018 · In this article I provide an overview of recent research and a sketch of musics evolutionary career. I identify avenues for future research, including work in the evolution of the emotions, and the application of signalling theory to music archaeology.