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Charlie Parker and Dizzy Gillespie formed a small group that arguably played the best bebop ever heard. 2 This new “musician’s music” was not as danceable and demanded close listening. It also expanded the musician’s freedom. With a focus on improvisation, bebop allowed for an explosion of innovation. Inspired by the more harmonically and rhythmically experimental players from the ...
Dizzy Gillespie. John Birks "Dizzy" Gillespie naît le 21 Octobre 1917 à Cheraw, en Caroline du Sud. Trompettiste d'exception, chef de formation et compositeur, il est a l'origine du "Latin Jazz" avec Mario Bauzá, et du "Bebop", avec Charlie Parker, au début des années 1940. On reconnaît aisément Dizzy Gillespie, à sa trompette au ...
Jivin' in Be-Bop is a 1947 musical film produced by William D. Alexander and starring Dizzy Gillespie and His Orchestra, [1] which included notable musicians such as bassist Ray Brown, vibraphonist Milt Jackson, and pianist John Lewis. [2] It also features singers Helen Humes and Kenny "Pancho" Hagood, Master of Ceremonies Freddie Carter, and a ...
4. Okt. 2023 · He is considered one of the bebop pioneers, and his music continues to influence modern jazz artists. Stitt’s most famous recordings include “I Got Rhythm” and “Sonny Side Up.” He was also a highly sought-after sideman, playing with the likes of Dizzy Gillespie, Miles Davis, and Thelonious Monk. 10. Max Roach
Dizzy Gillespie, vero nome John Birks Gillespie (Cheraw, 21 ottobre 1917 – Englewood, 6 gennaio 1993), è stato un trombettista, pianista e compositore statunitense. Jazzista , fu anche cantante , percussionista e bandleader .
John Birks Gillespie dit Dizzy Gillespie, né à Cheraw ( Caroline du Sud) le 21 octobre 1917 et mort le 6 janvier 1993 à Englewood ( New Jersey ), est un trompettiste, auteur-compositeur-interprète et chef d'orchestre de jazz américain . Avec Louis Armstrong, Roy Eldridge, Henry "Red" Allen, Chet Baker, Miles Davis, Clifford Brown, Thad ...
Sunday May 3rd, 2020. The partnership between Dizzy Gillespie (right) and Charlie Parker (left) in the early 1940s was the key element in the birth of bebop in jazz. Ross Russell, for example, has written that they played “an omnipotent role in the forging of the new style.” (“Bebop,” Martin Williams, ed.
