1928
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Dolores del Río wurde in eine sehr vornehme und alteingesessene Familie geboren. Einer ihrer Cousins war der Schauspieler Ramón Novarro. Nach Ballettunterricht am Konservatorium in Mexiko-Stadt, und später auch in Europa ging del Río 1925 zum Film nach Hollywood und debütierte in Joanna von Edwin Carewe.
Signature. María de los Dolores Asúnsolo y López Negrete (3 August 1904 [2] – 11 April 1983), known professionally as Dolores del Río ( Spanish pronunciation: [doˈloɾes ðel ˈri.o] ), was a Mexican actress. With a career spanning more than 50 years, she is regarded as the first major female Latin American crossover star in Hollywood.
Dolores del Rio was the one of the first Mexican movie stars with international appeal and who had meteoric career in the 1920s/1930s Hollywood. Del Rio came from an aristocratic family in Durango. In the Mexican revolution of 1916, however, the family lost everything and emigrated to Mexico City, where Dolores became a socialite. In 1921 she married Jaime Del Río (also known as...
17. Mai 2021 · In 1932, a young Orson Welles went to see Bird of Paradise, and found himself completely bewitched with del Río. “That’s when I fell in love with her,” he later said. “It changed my life ...
Dolores Del Río. Actress: Las abandonadas. Dolores del Rio was the one of the first Mexican movie stars with international appeal and who had meteoric career in the 1920s/1930s Hollywood. Del Rio came from an aristocratic family in Durango. In the Mexican revolution of 1916, however, the family lost everything and emigrated to Mexico City, where Dolores became a socialite. In 1921 she married ...
Dolores del Río (August 3, 1904 - April 11, 1983) was a Mexican actress of the 20th century, active in 53 feature films, 1 telemovies and 8 stage plays over 53 years from 1925 and 1978. Del Río began her career in Hollywood in 1925 and made her film debut in Joanna .
Dolores del Río (Nombre artístico de Dolores Asúnsolo López Negrete; Durango, 1906 - Los Ángeles, 1983) Actriz cinematográfica mexicana. Dolores del Río fue la figura estelar por antonomasia de toda la producción cinematográfica mexicana, en la que no sólo renovó los laureles que había previamente conquistado en Hollywood, sino que los aumentó, alcanzando cimas de dramatismo y ...
