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  1. 6. März 2024 · By the time Don Cherry and Moki Karlsson settled in Sweden in the late 1960s, Cherry had gotten away from what some would consider jazz. Sure, it had the genre’s rhythmic and harmonic textures ...

    • 9 Sek.
    • Marcus J. Moore
  2. Don Cherry, Lennart Åberg, Bobo Stenson, Anders Jormin, Anders Kjellberg, Okay Temiz. Dona Nostra. CD 18,90 € out of print. Bengt Berger. Bitter Funeral Beer. CD 18,90 € out of print. LP 14,90 € out of print. The Jazz Composer's Orchestra. The Jaz ...

  3. 18. Nov. 2023 · In the rich tapestry of jazz, Don Cherry emerges as a singular figure, a trumpeter whose innovative spirit and boundary-defying collaborations have left an indelible mark on the genre. Born eighty-seven years ago today on November 18, 1936, in Oklahoma City, Cherry’s journey in music traversed continents, genres, and cultural landscapes.

  4. it.wikipedia.org › wiki › Don_CherryDon Cherry - Wikipedia

    Nato a Oklahoma City, e cresciuto a Los Angeles, Don Cherry conobbe la notorietà in ambito jazz nel 1958, insieme a Ornette Coleman, prima in un quintetto con il pianista Paul Bley e successivamente in quartetto senza pianoforte registrando principalmente per la Atlantic Records. Cherry appare in vari ruoli con i leader-band degli anni ...

  5. Don Cherry, né le 18 novembre 1936 à Oklahoma City dans l’Oklahoma et mort le 19 octobre 1995 à Malaga en Espagne, d'un cancer et d'une hépatite [1], est un trompettiste de jazz américain connu entre autres pour son association avec les saxophonistes Ornette Coleman et Albert Ayler.

  6. 22. März 2023 · Jazz Culture : Don Cherry, le petit prince du free - Nicolas Fily. Nicolas Fily tire le portrait de Don Cherry, un musicien qui aura repoussé les frontières visibles et invisibles du jazz, en se libérant des carcans musicaux, philosophiques et sociétaux de son époque. Publié aux éditions Le Mot et le Reste.

  7. 20. März 2024 · Don Cherry. Los Angeles: Donald Eugene Cherry (November 18, 1936 – October 19, 1995) was an American jazz trumpeter. Beginning in the late 1950s, he had a long tenure performing in the bands of saxophonist Ornette Coleman, including on the pioneering free jazz albums The Shape of Jazz to Come (1959) and Free Jazz: A Collect.