1995
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Vor 6 Tagen · Dusty Springfield recorded it for her 2nd album Ev'rything's Coming Up Dusty in 1965; Aretha Franklin recorded a rendition of “Oh No, Not My Baby” for her 1970 record Spirit in The Dark with the Muscle Shoals Rhythm Section.
Vor 5 Tagen · Dusty Springfield also covered the song on her album Dusty... Definitely released in the UK in November 1968. Eydie Gormé's recording, first released as a single in July, 1968, reached number 22 on the U.S. Easy Listening chart in the summer of 1968.
Vor einem Tag · The connection was @Verandi and the songs were the left-field/atmospheric songs from the 90s. The logo showed the mountains near Vicenza, Italy where they resided at the time and the title font was inspired by their fav Enya's appearance on the famous Pure Moods compilation albums. Now it has all of the more folk-rock artists in the 1960s and anyone that came from a place not highlighted in ...
Vor 4 Tagen · If you cherish the memory of smooching to ‘Careless Whisper’ at the school disco in 1984, skip the next paragraph. The same applies if you’re a non-fan who rediscovered the song at a Guilty Pleasures night 30 years later and decided that, contrary to your original opinion, it’s actually a total corker (of course it is: the sumptuous opening sax riff, the ache in George Michael’s ...
Vor 3 Tagen · Domino Dancing. In this synth-driven, Latin influenced dance track, the instability of a tenuous relationship is explored through the metaphor of dominos lined up and ready to tumble. The lead single from their third album Retrospective, Domino Dancing is infectiously melodic. It performed well in the charts, too, reaching number seven in 1988.
Vor 3 Tagen · The Soul Jazz label has put out quite a few compilations that are perfect as (a) introductions to a genre/scene and (b) satisfying listening experiences. Five 10/10 all-killer-no-filler essentials, complete with Discogs links: New Orleans Funk. Studio One Classics. Brazil 70: After Tropicalia.
Vor einem Tag · Now down on the ground and with tears on his face, he hears a sound that saves him; the sounds of harps and angels. In the song, we hear them both, too, and alongside them a swell of guitars and organs join Newman’s rolling ragtime piano to bring heaven above down below to us here on the Earth.
