Suchergebnisse
Suchergebnisse:
Felix Bloch, Pazifist, wird Bombenbauer, Laura D´Oriano, träumt von einer Sängerkarriere und wird Spionin und Emile Gillieron, genialer Maler wird Begleiter von Schliemann und einer der größten Kopisten und Fälscher der Kunstgeschichte. Capus ist wie immer ein großartiger Erzähler. Er ist zweifellos einer der begnadetesten Erzähler ...
25. Apr. 2011 · Opening May 17 at The Metropolitan Museum of Art, Historic Images of the Greek Bronze Age: The Reproductions of E. Gilliéron & Son focuses on the work of Swiss-born Émile Gilliéron (1850–1924) and his son—also named Émile (1885–1939)—who were among the foremost art restorers of their time. Their work influenced the study of Aegean art and was integral to its widespread introduction ...
24. Mai 2011 · Above: Emile Gilliéron père (Swiss, 1850–1924). Reproduction of the lower part of female figure from the "Procession" fresco Watercolor on paper, 1910. The Metropolitan Museum of Art, New York, Dodge Fund, 1911 (11.37.5); Below: In the process of being mounted to a prepared backing using Japanese paper hinges
Gilliéron, Emile Gilliéron, Jules Verknüpfungen zu anderen Personen wurden aus den Registerangaben von NDB und ADB übernommen und durch computerlinguistische Analyse und Identifikation gewonnen.
Emile Gilliéron père (Swiss, 1850–1924), Electrotype reproduction of the gold "Mask of Agamemnon" from Mycenae, ca. 1906. The Metropolitan Museum of Art, New York, Dodge Fund, 1906 (06.224) «The "Mask of Agamemnon" is one of the most famous gold artifacts from the Greek Bronze Age. Found at Mycenae in 1876 by the distinguished ...
It has been suggested that the wide distribution of such a complicated pattern supports the idea of a traveling guild of fresco painters operating on the Mycenaean mainland. E. Gillieron, pere was hired in 1910-1912 by the Germans excavating at Tiryns to assist with the reconstruction of the many fresco fragments found at the site.
Mertens, Joan R. and Lisa Conte. 2019. "Watercolors of the Acropolis : Émile Gilliéron in Athens." Bulletin of the Metropolitan Museum of Art , 76(4): pp. 8–9, 27 ...
