Suchergebnisse
Suchergebnisse:
The symbolic actions, such as putting crepe bows on doves and packing up the moon, depict the surreal and surrealistic nature of grief. At the heart of the poem lies the devastating realization that the deceased was the speaker's everything - their North, South, East, and West.
14. März 2015 · Übersetzung. Begräbnis-Blues. Die Uhren stoppt, reißt raus das Telefon, Ein Knochen für den Hund, dann schweigt er schon, Nein, kein Klavier, nur Trommeln, dumpf und schwer. Tragt raus den Sarg, die Trauernden ruft her. Flugzeuge solln im tristen Morgenrot. Groß an den Himmel schreiben: „Er ist tot“, Die weißen Taubenhälse sollen schwarze Kragen,
Funeral Blues („Beerdigungs-Blues“) ist ein Gedicht, das der englische Schriftsteller W. H. Auden 1936 veröffentlichte.
Themes: Death. Speaker: A Mourner (Unspecified) Emotions Evoked: Grief, Hopelessness, Missing Someone, Sadness. Poetic Form: Quatrain. Time Period: 20th Century. Regarded as the most-renowned poem of Auden, ‘Funeral Blues’ captures the heartbreaking essence of mourning the loss of a loved one at its very core.
Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten.
Funeral Blues (”Stop all the clocks”) Lyrics. Stop all the clocks, cut off the telephone, Prevent the dog from barking with a juicy bone, Silence the pianos and with muffled drum. Bring out the...
Learn More. “Funeral Blues” was written by the British poet W. H. Auden and first published in 1938. It's a poem about the immensity of grief: the speaker has lost someone important, but the rest of the world doesn’t slow down or stop to pay its respects—it just keeps plugging along on as if nothing has changed.
