Suchergebnisse
Suchergebnisse:
Geoffrey Farmer (* 1967 in Vancouver) ist ein kanadischer Installationskünstler. [1] Werk. Für die Arbeit The Last two Million Years (2007) von Geoffrey Farmer wurde eine Serie ausgeschnittener Bilder aus einem gleichnamigen Reader’s Digest zu dreidimensionalen Objekten, indem sie auf verschiedenartigen Sockeln präsentiert wurden.
Geoffrey Farmer creates installation-based artworks to create intersections of personal and lived experiences. He uses a combination of a broad range of elements, [5] including: drawing, photography, video, sculpture, performance, found materials, and sometimes sound, bronze casting and waterworks. [4]
- 1967, Eagle Island, BC
Geoffrey Farmer is a Canadian artist, based in Vancouver. His career as an artist was not planned, he simply attended an art class with his sister when he was 21 and that was that. Farmer’s work is multi-media, using collage, photography, drawing, sculpture, video and many found materials to create complex pieces which can contain sound or ...
Geoffrey Farmer lives and works in British Columbia. He attended the San Francisco Institute of Art from 1991-92 and the Emily Carr College of Art and Design in 1993.His research based projects result in multi-media installations that combine video, film, performance, drawing, sculpture, found objects and texts.
2015 Geoffrey Farmer: The Surgeon and the Photographer, Vancouver Art Gallery, Vancouver 2013 Heike Munder, Alex Farquharson, Bettina Steinbrügge, and Tobias Ostrander, eds., Geoffrey Farmer , Migros Museum für Gegenwartskunst and JRP|Ringier, Zurich, Switzerland; Nottingham Contemporary, Nottingham, UK; Kunstverein in Hamburg, Hamburg ...
The British Council Collection has 8500 works of modern and contemporary British art: painting, sculpture, photography, video, graphics, ceramics and new media.
As usual, the references (to Nabokov, French artist Xavier Veilhan, academic-turned-sculptor Imbert, etc.) are layered, but one in particular is revealing of Farmer’s conceptual underpinnings: Martin Kippenberger’s 1994 masterpiece The Happy Ending of Franz Kafka’s “Amerika.”
