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  1. 2. Mai 2024 · Gegen den Strich gelesen: Jacques Derrida. Stefan Blankertz. 2.05.24. Die Rede von der «Postmoderne», in welcher wir uns befänden, dient vielen Gegnern des herrschenden Mainstreams als rotes Tuch, und Jacques Derrida (1930–2004) als der Prophet der Postmoderne wird mit all dem assoziiert, was die Postmoderne auszumachen scheint, vor allem ...

  2. 3. Mai 2024 · In 1993, Jacques Derrida presented a paper entitled “Specters of Marx: The State of the Debt, the Work of Mourning, and the New International.”. Later turned into a book of the same name, Specters represents a part of what some have called an...

  3. Vor 3 Tagen · This special issue of Angelaki on “Derrida: Ethics in Deconstruction” appears twenty years after the sad occasion of the death of Jacques Derrida in Paris on 12 October 2004, after an extraordinary life as an academic philosopher and a thinker. He was a philosopher in a very broad sense, whose work was important across the humanities and social sciences, and also in the creative arts ...

  4. 25. Apr. 2024 · deconstruction, form of philosophical and literary analysis, derived mainly from work begun in the 1960s by the French philosopher Jacques Derrida, that questions the fundamental conceptual distinctions, or “oppositions,” in Western philosophy through a close examination of the language and logic of philosophical and literary texts.

  5. 30. Apr. 2024 · For a brief moment, just before their spoken dialogue, the two characters face each other in silence. The scene is lit inconspicuously, “naturally.”. Derrida’s eyes are directed at Ogier; the back of her head is visible, her body positioned toward him; they are established as the only characters in the office.

  6. 25. Apr. 2024 · In Specters of Marx, Jacques Derrida reaffirms his inheritance of the Marxist tradition. The reaffirmation is singular and timely. Derrida insists on the co-belonging, in an almost genealogical manner, of deconstruction and the tradition of a certain Marxism.

  7. 30. Apr. 2024 · Abstract. Chapter 1 investigates the legacy of Derrida’s work and deconstruction within film theory and the recurrent, if overlooked, figure of cinema in his oeuvre. The chapter begins by unpacking Derrida’s thinking of the ghostly to problematize the periodization of his oeuvre and its supposed “turns,” whether cinematic or ...