Suchergebnisse
Suchergebnisse:
Vor 3 Tagen · His first hit, “Come On, Let’s Go” (1958), was followed later that year by “Donna,” a ballad written for an ex-girlfriend, and “La Bamba,” Valens’s best-remembered recording, a rock and roll reworking of a traditional Mexican
27. Apr. 2024 · Title: La Bamba. Artist: El Jarocho. Writer/Composer: Traditional. Album: N/A. Release Date: 1939. Genre: Folk. La Bamba is a Mexican folk song from Veracruz, Mexico, believed to have originated in the 18th century. It is a classic example of “Son Jarocho” music, a traditional style from the region. The oldest known recording of ...
4. Mai 2024 · May 4, 2024. La Bamba (Meaning: the beat) is a traditional Mexican folk song from the state of Veracruz. While the song lyrics were often traditionally improvised, the earliest recording was made by Alvaro Hernández Ortiz in 1938. In 1958, Ritchie Valens made the song famous with his rock version rising to the top of the US charts.
Vor 4 Tagen · La Bamba. La Bamba is a classic example of the son jarocho musical style, which originated in the Mexican state of Veracruz and combines Spanish, indigenous, and African musical elements.
Vor 3 Tagen · Patrice Émery Lumumba [e] ( / lʊˈmʊmbə / ⓘ; [3] 2 July 1925 – 17 January 1961), born Isaïe Tasumbu Tawosa, [4] was a Congolese politician and independence leader who served as the first prime minister of the Democratic Republic of the Congo (then known as the Republic of the Congo) from June until September 1960, following ...
30. Apr. 2024 · Ritchie Valens - La Bamba (Original version) 1958. "La Bamba" is a Mexican folk song, originally from the state of Veracruz. Ritchie Valens learned the song in his youth, from his cousin...
- 2 Min.
- 916
- Rock n´ Roll
16. Apr. 2024 · La bamba, a popular Mexican folk song that was famously covered by Los Lobos in the 80s, holds a special place in the hearts of many. Its catchy rhythm and energetic melody make it a timeless classic that continues to be celebrated and enjoyed by people of all ages and backgrounds.
