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The Lydian Chromatic Concept of Tonal Organization is a 1953 jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT). Russell's work postulates that all music is based on the tonal gravity of the Lydian mode .
- Non-fiction
- Concept Publishing Co.
- 252 pp.
- George Russell
Learn about the original and influential jazz theory that introduces modal improvisation and the Lydian scale, a harmonic language based on the natural overtone series. The book, first published in 1953, was the first theoretical contribution to come from jazz and the basis for Miles Davis' "Kind of Blue".
Reconceptualizing the Lydian Chromatic Concept: George Russell as Historical Theorist Michael McClimon Society for Music Theory . St. Louis, Missouri . October 31, 2015 Lydian — Lydian augmented 3rd mode of melodic minor, 7th mode of acoustic Lydian diminished 4rd mode of harmonic major Lydian flat seventh Acoustic, 4th mode of melodic minor
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The full Concept is too complex, convoluted and large to cover here in detail. But the Lydian Chromatic Concept is just a different way of allocating ‘correct’ scales to a particular chord. Essentially, George Russell came up with seven ‘Vertical Principle Scale‘ based on a ‘Lydian Chromatic Order of Tonal Gravity’: Lydian
The Lydian Chromatic Concept of Tonal Organization (LCCOTO) is a way of viewing music that continues to evolve from the first publication fifty years ago; we hope to assist and support that evolution.
Abstract: This paper explores the development of George Russell’s Lydian Chromatic Concept during the early years of jazz education, composition, and improvisation from 1960- 1972.
5. Juli 2015 · 11. I've recently found out about George Russell's book the Lydian Chromatic Concept of Tonal Organization and I've been curious about exactly what the Lydian Chromatic Concept is and how it can be used to compose music.
