Suchergebnisse
Suchergebnisse:
Vor 5 Stunden · Palud’s film asks us to contemplate whether art should always truimph over real people, using Maria Schneider’s sad true story as proof that certain things aren’t worth doing to make a “movie breakthrough.” Best of The Hollywood Reporter. Hollywood Stars Who Are One Award Away From an EGOT. 13 of the Best Chase Scenes in Movie History
Vor einem Tag · Revoir avec les yeux de 2024 le tournage traumatisant de Dernier tango à Paris (1972), film qui a détruit la vie de l'actrice française, tel est le pari de Maria, présenté mardi à Cannes, en ...
Vor einem Tag · Review: Being Maria. 21/05/2024 - CANNES 2024: Re-tracing the tormented trajectory of actress Maria Schneider with modesty and utmost precision, Jessica Palud delivers a feminist work of denunciation with very modern undertones. "You’re a blank page and there’s a wounded air about you that I really like (…)
Vor 5 Stunden · In einem sensationellen neuen Film mit dem Titel ‚Being Maria‘ bringt Jessica Palud die fesselnde Geschichte der Schauspielerin Maria Schneider zum Leben. Schneider, berühmt für ihre Rolle an der Seite von Marlon Brando in dem ikonischen Film ‚Der letzte Tango in Paris‘, steht im Mittelpunkt dieser faszinierenden Produktion. Der Film taucht tief in das Leben […]
Vor einem Tag · Présenté mardi à Cannes, «Maria» montre comment ce film et sa fameuse scène de viol ont détruit l'actrice Maria Schneider qui, bien avant #MeToo, dénonçait le sort réservé aux actrices.
Vor einem Tag · A ficção Maria, uma perspectiva atual sobre as traumáticas filmagens de o Último Tango em Paris (1972), que arruinou a vida da atriz francesa María Schneider, é apresentada nesta terça ...
Vor einem Tag · Then, it was about “succeeding” Maria because it’s very much a frontal portrait: we’re in her breath and her body. The aim of this film was to hear Maria’s voice, and for that, we needed to completely believe in the actress who was going to portray her. For Maria to finally be heard, her performance had to be very powerful.
