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  1. 12. Dez. 2002 · In this film Deren articulates the potential for transcendence through dance and ritual. The movement of the dancer does not always motivate the camera, so Deren’s visual expression remains free floating. The spaces linked in this film range from the interior of a museum to the forest and courtyard.

  2. en.wikipedia.org › wiki › At_LandAt Land - Wikipedia

    At Land. At Land is a 1944 American experimental silent short film written, directed by, and starring Maya Deren. [1] It has a dream-like narrative in which a woman, played by Deren, is washed up on a beach and goes on a strange journey encountering other people and other versions of herself. Deren once said that the film is about the struggle ...

  3. Maya Deren was one of the most pre-eminent avant-garde filmmakers of the 20th century; her first film MESHES OF THE AFTERNOON (1943), is the most renown experimental film throughout all of film history. She became known as a major proponent of the “trance” film, and her movies are a transitional link between the European avant-garde films and the American avant-garde.

  4. 23. Mai 2017 · Born April 29, 1917, this year would have been Maya Deren’s 100th birthday. In celebration of her contribution to experimental cinema, this video by Laura Iv...

    • 5 Min.
    • 120,5K
    • IUCinema
  5. Deren lived with the Japanese youth for many years, and eventually, they married. He became a composer, at one point adding music to her earlier film At Land (1944). Maya Deren died of a cerebral hemorrhage on October 13, 1961, at age forty-four. A documentary by Martina Kudláček, “In the Mirror of Maya Deren” was released in 2002.

  6. their ideologies through smartly conducted films, which draws attention to Maya Deren’s unique style. of filmmaking, viewing her feminist ideologies through the lenses of famous works such as ...

  7. For Deren scholars, the most valuable entry is the inclusion of “Poetry and the Film: A Symposium with Maya Deren, Arthur Miller, Dylan Thomas, Parker Tyler,” the transcript of the 1953 symposium in which Dylan Thomas famously derides Deren’s theories. Also useful is “To Maya Deren,” (1962) by Rudolf Arnheim, a tribute by the film theorist to the recently deceased filmmaker that ...

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