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Pilgrimage is the last album saxophone colossus Michael Brecker ever recorded. Released just months after he succumbed to leukemia in January 2007, it’s also the late instrumentalist’s hands-down best work—and truly, one of the finest jazz records made during the past 30 years. Winner of two Grammy Awards (Best Jazz Instrumental Album and ...
7. Mai 2024 · by Editor. For fans of saxophonist Michael Brecker, his passing in January of 2007 at age 57 — from the bone-marrow disorder myelodysplastic syndrome, which eventually developed into leukemia — felt like a death in the family.
Michael Brecker - Pilgrimage . Man, it sucks this album’s not on Spotify. Such a great record and the personnel is ridiculously stacked Share Add a Comment. Be the first to comment Nobody's responded to this post yet. Add your thoughts ...
2. Mai 2024 · Brecker, Michael Leonard (born March 29, 1949, Philadelphia, Pa., U.S.—died Jan. 13, 2007, New York, N.Y.) was an American tenor saxophonist, whose stark, jagged, yet driving jazz style influenced many tenor saxophonists in the late 20th and early 21st centuries.
- The Editors of Encyclopaedia Britannica
19. Apr. 2024 · Sax Solo by Michael Brecker. So let’s complete this look at great sax solos on Pop songs with this. In my opinion, the best of the bunch. The song was taken from Simon’s fourth studio album of the same name, Still Crazy After All These Years. It had a limited release as a single and only reached #40 in America. Who Does He Refer To?
29. Apr. 2024 · In addition to the above interview, you can listen the Brecker Brothers with Horace in 1973 on Horace’s composition, Gregory is Here, recorded at the 8th International Jazz Festival Pori, Finland on July 14, 1974. The group includes Randy Brecker - trumpet, Michael Brecker - tenor saxophone, Horace Silver - piano, Bob Cranshaw - bass, and Mickey Roker - drums. The original recording of this ...
1. Mai 2024 · On “Delta City Blues,” today’s Song of the Day, he demonstrates his virtuosic technique with characteristic ease and efficiency, leaping across octaves during the song’s intro before steamrolling through the song’s harmonically knotty solo section.
