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Mitchell Leisen - 1940s Films, Director, Producer: Leisen’s first film of the 1940s, Remember the Night (1940), featured a funny script by Sturges and starred MacMurray again, this time opposite Barbara Stanwyck, playing a recidivist shoplifter who gets caught at Christmastime. A softhearted prosecutor (MacMurray) takes her home during the court’s holiday recess to his family in Indiana ...
William Shea. Besetzung. Carole Lombard: Regi Allen. Fred MacMurray: Theodore Drew III. Ralph Bellamy: Allen Macklyn. Astrid Allwyn: Vivian Snowden. Ruth Donnelly: Laura. Marie Prevost: Nona. Liebe im Handumdrehen ( Hands Across the Table) ist eine Screwball-Comedy mit Carole Lombard und Fred MacMurray unter der Regie von Mitchell Leisen .
The Grim Reaper takes the form of a Prince in an attempt to relate to humans and, along the way, also learns what it is to love. Director: Mitchell Leisen | Stars: Fredric March, Evelyn Venable, Guy Standing, Katharine Alexander. Votes: 2,413. 8. Hands Across the Table (1935) Passed | 80 min | Comedy, Romance.
Synopsis by Aubry Anne D'Arminio. Paramount's screwball comedy Midnight is the first collaboration between director Mitchell Leisen and screenwriting duo Charles Brackett and Billy Wilder. The film merges Brackett and Wilder's early emphasis on repartee and masquerade with ex-costume designer Leisen's flair for high style and sophistication.
Mitchell Leisen ( 6. oktober 1898 – 28. oktober 1972) var en amerikansk filminstruktør, art director og Kostumedesigner. Han begyndte sit arbejde i filmindustrien i 1920'erne indenfor scenografi og kostumedesign. Han instruerede sin første spillefilm i 1933 ( Nonnebarnet) og blev kendt for sin gode æstetiske sans og evne til at skinnende ...
1. Nov. 1972 · Mitchell Leisen, who as a youth lived in St. Louis and Kansas City, had hopes of be coming an actor when he first went to Hollywood, Instead, al chance meeting at a social occasion with Cecil B ...
Remember the Night is a 1940 American Christmas romantic comedy trial film starring Barbara Stanwyck and Fred MacMurray and directed by Mitchell Leisen.The film was written by Preston Sturges and was the last of his scripts shot by another director, as Sturges began his own directorial career the same year with The Great McGinty.
