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6. Apr. 2012 · April 6, 2012. MITCHELL LEISEN’S 1950 “No Man of Her Own,” which Olive Films has recently released on DVD, combines two genres that are often considered antithetical: the male-oriented film ...
The Worst Movies Directed by Mitchell Leisen; The Top 10 Movies Directed by Mitchell Leisen; The Top 20 Movies Directed by Mitchell Leisen; The Best Horror Movies Of the 1980s; The Best Science Fiction Movies of 1977; The Best Comedy Movies Of the 2000s; The Most Recently Released Movies; The Most Recently Added Movies
22. Dez. 2023 · Mitchell Leisen in 1948 | image: public domain, via Wikimedia Commons Leisen’s vision was no less singular than that of Sturges or Wilder, but it had a different essence: If Sturges and Wilder became known as iconoclastic auteurs for their rigorous, uncompromising treatment of their own screenplays, Leisen readily assimilated the voices and skills of his collaborators into his films.
7. Mai 2024 · Mitchell Leisen (born October 6, 1898, Menominee, Michigan, U.S.—died October 28, 1974, Los Angeles, California) was an American costume designer, art director, and film and television director. He was considered a “woman’s director” by dint of the affinity he demonstrated for actresses. His motion pictures —almost all of them made at ...
Easy Living is a 1937 American screwball comedy film, directed by Mitchell Leisen, written by Preston Sturges from a story by Vera Caspary, and starring Jean Arthur, Edward Arnold, and Ray Milland. Many of the supporting players ( William Demarest, Franklin Pangborn, Luis Alberni, Robert Greig, Olaf Hytten, and Arthur Hoyt) became a major part ...
Doch da meldet unerwartet eine andere Partei Ansprüche auf das Erbe an. - EIN HASE ZU WEIHNACHTEN Julia ist ein einsames Waisenmädchen, das von einer Frau in ihre Familie aufgenommen wird, aber sowohl sie als auch ihre neue Familie haben Probleme, mit der Situation zurechtzukommen. Da Julia nicht spricht, bleibt sie ihrem neuen Vater und ihrem Bruder fremd. Am Weihnachtsabend findet Julia im ...
But that's kind of the Mitchell Leisen touch, as far as comedies go, and the somewhat dubiously-contrived family material prior to the turn to farce - parents having a rough time connecting to their children after five years in Panama - is surprisingly affecting and rather more plausible than it sounds, perfectly suiting Joan Fontaine's comfort ...
