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Ophelia ( / oʊˈfiːliə /) is a character in William Shakespeare 's drama Hamlet (1599–1601). She is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes and potential wife of Prince Hamlet, who, due to Hamlet's actions, ends up in a state of madness that ultimately leads to her drowning.
Ophelia. Inhalt. Ophelia als Hamlets Geliebte. Ophelia als gehorsame Tochter und Schwester. Passivität und Naivität. Wahnsinn und Tod. Zusammenfassung. Ophelia als Hamlets Geliebte. Ophelia ist Hamlets Geliebte. Sie ist die Tochter des Oberkämmerers Polonius und Laertes‘ Schwester.
Hamlet ( frühneuenglisch The Tragicall Historie of Hamlet, Prince of Denmarke) ist ein Schauspiel von William Shakespeare. Claudius, der Bruder von König Hamlet, ermordet den Herrscher, reißt die Krone an sich und heiratet Gertrude, die Witwe des Königs.
Although Ophelia (in Hamlet) is one of the least fully-realised female characters in Shakespeare she is probably the most interesting and relevant regarding current gender relations. At a time when Western women struggle to establish their position in this part of the 21st century, Ophelia speaks quite directly to our generation of their plight ...
William Shakespeare. Ophelia Character Analysis. Previous Next. Ophelia’s role in the play revolves around her relationships with three men. She is the daughter of Polonius, the sister of Laertes, and up until the beginning of the play’s events, she has also been romantically involved with Hamlet.
12. Apr. 2024 · Ophelia, daughter of Polonius, sister to Laertes, and rejected lover of Hamlet in William Shakespeare’s tragedy Hamlet. Ophelia’s mad scene (Act IV, scene 5) is one of the best known in Western literature, and her tragic figure, that of innocence gone mad, has often been portrayed in art.
A tragic figure whose life and death alike are coopted by the men around her, Ophelia is nonetheless able to do the one thing Hamlet, for all his musings on his desire to take his own life, is never able to do: she kills herself, reclaiming through a tragic action the only measure of agency she’s had over her own life for as long as she’s lived it.
