1971
Suchergebnisse
Suchergebnisse:
Vor 3 Stunden · Roberto Rossellini’s 1945 neorealist drama is unsparing in its depiction of the heavy price of both resistance and collaboration with the Nazi occupation Peter Bradshaw Wed 15 May 2024 08.00 EDT ...
Vor 15 Stunden · Under the auspices of an American GI named Rod E. Geiger, Rome, Open City had its New York premiere in February 1946. There, audiences unaccustomed to the brutal realities of the war in Europe sat agape at what they saw as unpolished authenticity. With the apparent rawness of a newsreel, Rossellini’s film taught them what life had been like ...
Vor 15 Stunden · Take, for instance, Roberto Rossellini’s seminal 1945 neorealism film Rome, Open City. Taking place at the conclusion of World War II during the Nazi occupation of the Italian capital, Rossellini’s film focuses on a group of Italian resistance fighters as they aim to sabotage the plans of the German forces. What Rossellini portrays, though ...
Vor 15 Stunden · Roberto Rossellini’s 1945 film is a blazingly urgent and painful bulletin from the frontline of Italy’s historical agony: the Axis power that had belatedly turned against the Mussolini fascists only to be humiliatingly occupied by Nazi Germany on whose orders the dictator was reinstalled in the northern Salò puppet state, resplendent in contemptible impotence and pathos, with Rome at its ...
Vor 4 Tagen · Roberto Rossellini tra cinema e documentario stasera su Rai Storia con “Il generale Della Rovere” e “La forza e la ragione”: la trama dei film. Giovanni Bertone è un truffatore che vive ...
Vor 2 Tagen · Rome, Open City (BFI). Looking at it now, Rome, Open City paints a heartbreakingly accurate picture of what life looked like in 1944 under the Nazi occupation for the ordinary people, but at the time, Rossellini was merely filming what was happening around him.
Vor einem Tag · The Library’s collection holds twenty films that won the famous festival’s supreme award in its collections. Let’s take a closer look at our collection. Roberto Rossellini’s Rome, Open City (Roma città aperta) moves the 1946 jury, while the Palme d’Or is still a mere Grand Prix at the time, and becomes the symbol of neo-realism.
