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  1. Background (From left:) Pete Rugolo, Stan Kenton, and Bob Graettinger. Photograph by William P. Gottlieb.. City of Glass and the whole body of work from the Stan Kenton orchestra and Robert Graettinger (1947–1953) is a direct product of the experimental American music scene of the post World War II era. Though overshadowed historically by other compositional endeavours in jazz at the time ...

  2. Stan Kenton. Stanley Newcombe Kenton. American jazz bandleader and pianist. Born December 15, 1911 in Wichita, Kansas, USA. Died August 25, 1979 in Los Angeles, California, USA. Married to singer Ann Richards 1955-1961. He played in the dance bands of Vido Musso and Gus Arnheim. His first orchestra "Artistry in Rhythm" was formed in 1941.

  3. Die Musik. Als der West-Coast Bandleader Stan Kenton New Concepts of Artistry in Rhythm aufnahm, arbeitete er mit einem 21-köpfigen Orchester, das er nach dem kommerziellen Fiasko seines vorherigen Neophonic Orchestra formiert hatte. Hier spielten 1952 die damals bekanntesten West Coast Musiker, wie der Trompeter Maynard Ferguson, der Posaunist Frank Rosolino, der Altsaxophonist Lee Konitz ...

  4. Stan Kenton Plays Chicago is a studio album by American jazz musician Stan Kenton and his orchestra, released on August 17, 1974, by Creative World Records.Recording sessions for the album took place at Universal Recording Corp. in Chicago on June 4, 5, 6, 1974. The sessions are entirely based on the music of modern rock n' roll groups, in contrast to Kenton's earlier work which primarily ...

  5. Stan Kenton (December 15, 1911 – August 25, 1979) was an American jazz pianist and bandleader from Wichita, Kansas. He worked with many jazz musicians like Zoot Sims, Art Pepper and Stan Getz. He died when he was 67 years old. References Persondata; Name Kenton, Stan ...

  6. Lee Gillette. Stan Kenton chronology. Stan Kenton Plays for Today. (1966) The World We Know. (1967) The Jazz Compositions of Dee Barton. (1967) The World We Know is an album by bandleader Stan Kenton recorded in 1967 by Capitol Records.

  7. Progressive Jazz ist ein vermeintlicher Jazzstil der späten 1940er- und frühen 1950er-Jahre. Dieses Etikett hat erstmals Stan Kenton verwendet, um Aspekte seines eigenen Schaffens zu beschreiben. Er konnte hierbei insbesondere auf Pete Rugolo, Robert Graettinger, Chico O’Farrill oder Franklyn Marks mit ihren Kompositionen und großorchestralen Arrangements „mit einer massierten Fülle ...