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  1. Thomas Chatterton (* 20. November 1752 in Bristol; † 25. August 1770 in London) war ein englischer Dichter . Inhaltsverzeichnis. 1 Leben. 2 Rezeption. 3 Literatur. 3.1 Werkausgaben. 3.2 Sekundärliteratur. 3.3 Belletristik. 4 Weblinks. 5 Einzelnachweise. Leben.

  2. Holborn, London, England. Pen name. Thomas Rowley, Decimus. Occupation. Poet, forger. Thomas Chatterton (20 November 1752 – 24 August 1770) was an English poet whose precocious talents ended in suicide at age 17. He was an influence on Romantic artists of the period such as Shelley, Keats, Wordsworth and Coleridge .

    • Thomas Rowley, Decimus
    • 24 August 1770 (aged 17), Holborn, London, England
  3. A biography of the English poet who forged Rowley poems and died at 17. Learn about his life, his influences, his legacy, and his role in the Romantic movement.

  4. Thomas Chatterton (born November 20, 1752, Bristol, Gloucestershire, England—died August 24, 1770, London) was the chief poet of the 18th-century “Gothic” literary revival, England’s youngest writer of mature verse, and precursor of the Romantic Movement.

    • The Editors of Encyclopaedia Britannica
  5. Everything you need to know about Thomas Chatterton: Biographies, Bibliographies, Poetry, Autograph Manuscripts, History of Bristol. William Canynges, William Barrett, Henry Burgum, George Catcott, William Blake, St Mary Redcliffe, Bristol Cathedral.

  6. Dead at the age of seventeen, the poet and artist Thomas Chatterton (b. 1752–d. 1770) found plenty of admirers within barely a decade of his demise. In the periodical press the leading scholars of the age eagerly debated the merits of his works, principally his audacious body of pseudo-medieval papers: the so-called Rowley poems. Written in a ...

  7. 2. Mai 2024 · Thomas Chatterton was a young and inventive poet who wrote under the name of a 15th-century monk and inspired the work of the Romantic Era. He died at 17, poisoned by arsenic after tearing his poems into shreds. Learn about his life, his style, and his legacy in this article by Thea Voutiritsas.