1981
Suchergebnisse
Suchergebnisse:
Vor 3 Tagen · The Bennie Moten Orchestra made its recording debut in 1923 with OKeh Records. These early recordings were heavily influenced by the New Orleans style of jazz and ragtime, featuring a stomping beat that was popular in Kansas City. By 1926, the band had signed with Victor Records, and their style began to evolve, incorporating more sophisticated elements influenced by Fletcher Henderson.
Vor 3 Tagen · Provided to YouTube by EvergreenMary Lee · Bennie MotenJust Say It’s Me℗ EvergreenReleased on: 2024-06-04Composer: Rufus George PerrymanLyricist: Instrumenta...
Vor 5 Tagen · Although documentation of precisely which bands Byas played with is sparse, it's thought that he played in various offshoots of bands led by Walter Page, Bennie Moten, T. Holder, and Andy Kirk. Given the vagaries of touring during the first days of the Great Depression, he very well may have subbed in or played short stints with not only these well-known bands, but with many other lesser-known ...
Vor 4 Tagen · Bowman sold the copyright to the song for just $100. Many years later he regained the copyright, having lost out on the royalties earned by the publisher through the many successful interpretations of that rag by artists like Louis Armstrong (1927), Bennie Moten (1927), Duke Ellington (1931), and Pee Wee Hunt (1948).
Vor 2 Tagen · Download Just Say It s Me by Bennie Moten at Juno Download. Listen to this and millions more tracks online.
Vor 4 Tagen · Recorded in 1932 by Bennie Moten's own Kansas City Orchestra, this jazz classic was notably stylized by Count Basie in 1940. Rick Stitzel's easy version is true to the Basie style, featuring tutti ensemble scoring along with a short solo for any sax followed by a solo for any trumpet. A great lesson in swing style for young players.
Vor 3 Tagen · This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
