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  1. en.wikipedia.org › wiki › Graham_BondGraham Bond - Wikipedia

    [citation needed] On 8 May 1974, Bond was run over by a train at Finsbury Park station and died at the age of 36. Most sources list the death as a suicide . Friends agree that he was off drugs, although becoming increasingly obsessed with the occult (he believed he was Aleister Crowley 's son).

  2. 7. Mai 2024 · Twenty-four hours later, Bond was dead, crushed under the wheels of a Tube train at Finsbury Park station. It was two days before the police were able to identify the body, and then only from his fingerprints. He was 36. It was a strange, messy end to a strange, unpredictable life.

  3. Graham Bond (* 28. Oktober 1937 in Romford; † 8. Mai 1974 in London) war ein englischer Jazz - und Blues -Musiker, der angeblich sein eigenes Geburtsdatum nicht kannte und sich als unehelicher Sohn des Magiers Aleister Crowley ausgab. Er sang und spielte Saxophon und Keyboard.

  4. 16. Mai 2019 · However, after years of avoiding the worst of the heroin-fueled London jazz scene, his life sank from powerful bandleader with some of our greatest ever musicians to chaotic drug-addicted derelict who died under the wheels of a Piccadilly line train. He was born in Romford on 28 October 1937 and abandoned at birth by his mother.

  5. 8. Mai 2010 · And then on May 8, 1974 in what many believe to be a suicide, Bond was found dead under the wheels of a train in a London train station. He was 36.

  6. Though he was often known as ‘The Mighty Graham Bond,’ tragically, he wasn’t mighty enough to overcome his own inner demons, and he died impoverished, a drug a ddict, and a suicide, accused of child abuse, leaving his musical legacy forever tainted by his personal frailties.

  7. 18. Juli 2013 · Organist and saxophonist Graham Bond was the most important and influential musical pioneer to emerge from British jazz in the 1960s. High praise indeed, but in his case it is warranted. His legacy might be defined less by the music he recorded and more by the impact he had on subsequent generations of musicians.