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Nude Before a Mirror (originally known as Nu devant une cheminée) is a 1955 painting by Polish-French artist Balthus. The painting depicts a nude woman before a mirror, which is a typical subject for Balthus, a fact that caused controversy in his early career. This painting is also referred to as Nude in Front of a Mantel.
- A Nude Woman Doing Her Hair Before a Mirror - Wikipedia
A Nude Woman Doing her Hair before a Mirror (often only...
- A Nude Woman Doing Her Hair Before a Mirror - Wikipedia
Nude Before a Mirror (1955) Spouse(s) Antoinette de Watteville (Married 1937 - Divorced 1966), Setsuko Klossowska de Rola (Married 1967) Children: Stanislas Klossowski de Rola, Thaddeus Klossowski de Rola, Harumi Klossowski de Rola: Awards: Praemium Imperiale
- Balthasar Klossowski, February 29, 1908, Paris, France
- The Street (1933–35), The Mountain (1937), Nude Before a Mirror (1955)
[Nude Before a Mirror] Attributed to Bruno Braquehais French. ca. 1857. Not on view. Académies, or nudes intended for use as preparatory studies for other artworks, were one of the most prolific forms of photography after the medium’s invention in 1839. Trained as a lithographer, Braquehais registered his first photographs for sale in 1854.
Nude Before a Mirror (originally known as Nu devant une cheminée) is a 1955 painting by Polish-French artist Balthus. The painting depicts a nude woman before a mirror, which is a typical subject for Balthus, a fact that caused controversy in his early career. This painting is also referred to as Nude in Front of a Mantel. It is part of the ...
Karl Schmidt-Rottluff. Girl Before a Mirror, 1914. Texts. About the Work. Creating a sense of space and – thanks to the shaded zones – three-dimensionality, this woodcut depicts a female nude before a mirror. For the woman’s body, the artist seems to have taken orientation from African cult objects; the mirror image distorts it even further.
He made about fifty paintings depicting them, as well as numerous drawings and prints, including a suite of color lithographs, Elles, which was completed the year before this painting. Lautrec does not flatter the woman’s naked figure, nor does he divulge the expression she sees in her mirror: she appears simply to be taking a stark appraisal ...
