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5. Feb. 2021 · George Rose/Getty Images. Julius Hemphill was a vigorous force in American music from his first public performances and recordings in the late 1960s until his death, at 57, in 1995. Whether ...
5. März 2021 · There’s a terrific quintet performance from 1978, in Los Angeles, that includes the clarinetist John Carter, who taught Hemphill in Fort Worth. A 1979 live date with Hemphill and Carroll joined by bassist Dave Holland and drummer Jack DeJohnette lives up to its promise, but in some ways it’s the anomaly of the set.
Blue Boyé by Julius Hemphill, released 07 September 1998 1. Countryside 2. Hotend 3. OK Rubberband 4. Antecedent 5. Kansas City Line 6. C.M.E. 7. Dirty Row 8. Homeboy Tootin' At The Dog/Star As a friend and student of Julius Hemphill, I was fortunate enough to have been present at the recording of Blue Boyé back in 1977. It was winter, both ...
4. Feb. 2021 · Includes unlimited streaming of Julius Hemphill · The Boyé Multi-National Crusade for ... A Century of Song by Black American Composers. Mar 2024. Peter Gena: Beethoven in Soho and Other Works . Oct 2023. Lei Liang: Six Seasons. Jun 20 ...
Julius Hemphill, Dogon A.D. Voted as one of the 100 most essential jazz recordings of all time by NY Times critic Ben Ratliff. Dogon A.D. has long been revered as a classic among jazz connoisseurs; Julius Hemphill's relatively obscure but highly influential debut is widely considered the missing link between the avant-garde and populist forms ...
Julius Hemphill band introduction 53. Would Boogie ARCHIVAL RECORDINGS (1977–2007) 1-6 The Boyé Multi-National Crusade for Harmony I [74:20] 7-12 The Julius Hemphill/Abdul Wadud Duo [60:51] 13-17 The Janus Company [73:47] 18-23 Chamber Music [63:32] 24-38 Roi Boyé Solo and Text [75:01] 39-49 The Boyé Multi-National Crusade for Harmony II [65:07] 50-53 Live At Joyous Lake [66:44] Digital ...
11. Feb. 2021 · In risposta alle critiche e alle discussioni degli anni ’90 su cosa sia e cosa non sia il jazz, Julius Hemphill (1938-1995) rispose come sempre aveva fatto nel corso della sua carriera: “Well, you often hear people nowadays talking about the tradition, tradition, tradition. But they have tunnel vision in this tradition. Because tradition in African-American music is wide as all outdoors.”
