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Derek Victor Shulman (* 11. Februar 1947 in Glasgow, Schottland) ist ein britischer Musiker. Er war der Frontmann der Band Gentle Giant. [1] Leben. Derek Shulman wurde im Glasgower Stadtteil Gorbals geboren. Er besuchte die Portsmouth Southern Gramar School und später die University of Exeter. [2] .
Occupation (s) Musician, music executive, songwriter, record producer. Instrument (s) Vocals, saxophone, recorder, bass, percussion, keyboards, Shulberry. Years active. 1966–present. Derek Victor Shulman (born 11 February 1947) is a Scottish musician and singer, multi-instrumentalist, and record executive.
14. Mai 2021 · February 11, 1947, in Glasgow, Scotland. In band: 1970 - 1980. Instruments: Lead vocals, saxophone, recorder, keyboards, bass, drums, percussion, Shulberry. Derek Shulman was the dynamic front-man for Gentle Giant. With his powerful voice, Derek sang lead vocals on most of their recordings.
- February 11, 1947, in Glasgow, Scotland
- Derek Shulman
- 1970-1980
The core of what was to become Gentle Giant comprised three brothers: Phil Shulman (born 1937), Derek Shulman (born 1947) and Ray Shulman (1949–2023). [5] . The brothers were of Scottish-Jewish descent. Phil and Derek were born in the Gorbals, which was then a notorious slum area of Glasgow, Scotland. [5] .
- 1970–1980
- London, England
26. Okt. 2021 · Der Name Derek Victor Shulman lässt wohl bei den wenigsten Rock-Hard-Lesern sofort Glocken läuten, doch der 1947 geborene Schotte und Wahlamerikaner dürfte unser aller Sozialisierung mit Rock...
13. Feb. 2022 · In den Sechzigern spielte der Multiinstrumentalist Derek Shulman bei Simon Dupree and the Big Sound, danach war er von 1970 bis 1980 bei Gentle Giant. Ab den Achtzigern wechselte er die Seiten und wurde Talente-Scout und Plattenboss. Am 11. Februar wird Shulman 75 Jahre alt.
16. Dez. 2016 · By Dom Lawson. ( Prog ) published 16 December 2016. Gentle Giant's Kerry Minnear and Derek Shulman reveal the idea behind the bootlegs, rarities and curios that made up the Memories Of Old Days set. This article originally appeared in Prog 38.
