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Cukor [ˈ kju:-] George, US-amerikanischer Filmregisseur ungarischer Herkunft, * 7. 7. 1899 New York, † 24. 1. 1983 Los Angeles; zeichnete sich durch die geschickte Umsetzung literarischer Vorlagen aus; Filme u. ...
Director George Cukor Stars Spencer Tracy Katharine Hepburn Judy Holliday. 8. The Women. 1939 2h 13m Approved. 7.7 (15K) Rate. A study of the lives and romantic entanglements of various interconnected women. Director George Cukor Stars Norma Shearer Joan Crawford Rosalind Russell. 9.
23. Apr. 2021 · George Cukor. Magyarországról származott a családja, de ő már New Yorkban született 1889-ben. Az édesanyja Tokajból való, az édesapja pedig az onnan nem messze eső Ricséről. Szegénységben éltek a szülei, így húsz dollárt összeszedve hajóra szálltak és a többi kivándorlóval együtt New York felé vették az irányt.
18. Juli 2019 · Cukor. Even without any credit for Gone With the Wind George Cukor’s filmography alone is deserving of this slot.He’s not a style-plus director and his contribution to Gone With the Wind is of much debate (it’s clear he directed some of the best scenes but how much was actually directed by Selznick and how much was directed by Victor Fleming is still relatively unclear) but he did give ...
2. Mai 2019 · Other directors relied on an actress’s instincts. As he entered another rich phase of his career, George Cukor always remembered their intelligence. Our ten-film series George Cukor’s Women is available to stream on the Criterion Channel through July 31, 2019. Click here to watch!
Cukor je rođen u New Yorku u obitelji mađarsko - židovskih imigranata, Victora F. i Helen Cukor. (Njegovo ime na mađarskom znači šećer ). Kao tinejdžer je bio zaluđen kazalištem te često markirao s nastave kako bi prisustvovao poslijepodnevnim matinejama. Nakon mature, 1916., godinu dana je proveo u studentskom vojnom kampu.
A few years ago, David Susskind presided over a panel of Hollywood people, three of whom were the directors Richard Brooks, George Cukor, and Fred Zinnemann. It became clear during the course of the program that Susskind respected Brooks, revered Zinnemann, and dismissed Cukor as a “woman’s director.”.
